In Broadcast - October 2012 - S8


8

FairFlash | IBC Special Edition

VENICE – the Media Production Hub
business models – it also allows you to reduce costs and streamline your workflow. VENICE offers all the qualities of a classic multi-channel video server using SDI cables plus a comprehensive feature set to fulfill modern efficient file-based workflows – and it all comes in a single system. VENICE has become the next generation Media Production Hub for efficient studio broadcast workflows by establishing the basis for faster content delivery, faster media exchange and all the advantages of file-based workflows – without SDI cabling. Thanks to its open system platform and communication standards, the Media Production Hub VENICE allows smooth integration and outperforms file-based broadcasting in all media operations such as file ingest, playout, transfer, and transforming.

In today’s fast-paced news production environment, broadcasters are faced with a variety of challenges such as: Optimizing workflow efficiency permanently; increasing the number of codec technologies; and, providing new business models for content providers – just to name a few. With its large number of supported codecs and

formats, VENICE prepares you well for a world of constantly changing coding technologies and resolutions. The integrated vendor-independent communication standards in VENICE such as FIMS, MOS, SOAP and many more enable seamless system interaction in your workflows. VENICE not only helps you create new

DVS VENICE enhances file-based production at Pinewood Studios
The internationally renowned Pinewood’s new data center, its Pinewood Studios Group has experienced television team can enhanced its equipment invenreact quickly to its customers’ tory with 8-channels of DVS needs and their changing VENICE, the Media Production requirements. This state-ofHub. This addition is an essential the-art workflow allows for part of Pinewood Television’s comfortable and reliable content upgraded TV provision. “We benefit enormously from the studio faciliEquipped with ties. Alongside introduction of tapeless workflows new interusing DVS technology. The VENICE VENICE, faces, VENICE systems provide us with considerPinewood establishes able time savings, allowing us to Television has revolutionary respond more quickly and flexibly in also decided performance our current broadcast operations.” to implement standards. Peter Canale, Head of Business and an additional VENICE Technology at TeleZüri DVS storsystems age solution, provide 8 SpycerBox Ultra. With this DVS video channels to be utilized for equipment, Pinewood sets the recording and playback on shows customer framework for fast recorded in Pinewood’s television content provision. studios. The systems also provide One of the most important feaingest and near instant editing. tures for Pinewood Television’s The DVS Media Production Hub new file-based workflow is the manages native capturing and potential to repurpose material playout of all common broadcast easily. Thanks to VENICE and formats such as Apple ProRes

Pinewood is a leading provider to the global film and TV industry

Part of Pinewood‘s new file-based workflow: The Media Production Hub VENICE

422, Panasonic DVCPRO®, AVCUltra, Avid DNxHD® and Sony XDCAM® HD, simultaneously scaling the different formats and creating proxy files. VENICE is especially powerful for changing projects to different formats for different clients and productions. The DVS Media Production Hub allows for a quick and comfortable configuration and adapts to different scenarios with ease, providing the users with the right content quickly. Paul Darbyshire, Pinewood’s Director of Television Operations

commented: “We are delighted to announce our decision to commit to DVS for our television production workflow, and are pleased to let the International Broadcast industry know how the television team at Pinewood Studios are looking forward to working with DVS technology. The new VENICE systems will allow us to respond more quickly and flexibly to our production clients needs, and will provide them with an enhanced production workflow saving considerable time – and ideally budget.”


http://www.dvs.de/products/video-systems/venice.html http://www.dvs.de/products/video-systems/venice.html

Table of Contents for the Digital Edition of In Broadcast - October 2012

In Broadcast - October 2012
Contents
PO Group Invest in 4k SGO Mistika Solution
BBC Entertainment Launches in Malaysia
AJA KI Pro Eases Elton John Show Workflow Transition
Bolshoi Theatre Install RTS System
Canal+ Sports Opts for Orad Power Wall
SIS LIVE Rolls Out OB 14 HD Truck
OCC’s Bill Smith Answers on the Technical Challenges
4KTV? Not So Fast!
ChyronIP Powers Graphics on Newtek Tricaster
Take Control With Rascular’s Helm
In Broadcast - October 2012 - Intro
In Broadcast - October 2012 - In Broadcast - October 2012
In Broadcast - October 2012 - 2
In Broadcast - October 2012 - Contents
In Broadcast - October 2012 - PO Group Invest in 4k SGO Mistika Solution
In Broadcast - October 2012 - 5
In Broadcast - October 2012 - BBC Entertainment Launches in Malaysia
In Broadcast - October 2012 - 7
In Broadcast - October 2012 - 8
In Broadcast - October 2012 - 9
In Broadcast - October 2012 - 10
In Broadcast - October 2012 - 11
In Broadcast - October 2012 - 12
In Broadcast - October 2012 - 13
In Broadcast - October 2012 - 14
In Broadcast - October 2012 - 15
In Broadcast - October 2012 - 16
In Broadcast - October 2012 - 17
In Broadcast - October 2012 - 18
In Broadcast - October 2012 - 19
In Broadcast - October 2012 - 20
In Broadcast - October 2012 - 21
In Broadcast - October 2012 - 22
In Broadcast - October 2012 - 23
In Broadcast - October 2012 - 24
In Broadcast - October 2012 - 25
In Broadcast - October 2012 - 26
In Broadcast - October 2012 - 27
In Broadcast - October 2012 - 28
In Broadcast - October 2012 - 29
In Broadcast - October 2012 - AJA KI Pro Eases Elton John Show Workflow Transition
In Broadcast - October 2012 - 31
In Broadcast - October 2012 - 32
In Broadcast - October 2012 - 33
In Broadcast - October 2012 - 34
In Broadcast - October 2012 - 35
In Broadcast - October 2012 - 36
In Broadcast - October 2012 - 37
In Broadcast - October 2012 - Bolshoi Theatre Install RTS System
In Broadcast - October 2012 - 39
In Broadcast - October 2012 - 40
In Broadcast - October 2012 - 41
In Broadcast - October 2012 - Canal+ Sports Opts for Orad Power Wall
In Broadcast - October 2012 - 43
In Broadcast - October 2012 - 44
In Broadcast - October 2012 - 45
In Broadcast - October 2012 - 46
In Broadcast - October 2012 - 47
In Broadcast - October 2012 - 48
In Broadcast - October 2012 - SIS LIVE Rolls Out OB 14 HD Truck
In Broadcast - October 2012 - 50
In Broadcast - October 2012 - 51
In Broadcast - October 2012 - 52
In Broadcast - October 2012 - 53
In Broadcast - October 2012 - OCC’s Bill Smith Answers on the Technical Challenges
In Broadcast - October 2012 - 55
In Broadcast - October 2012 - 4KTV? Not So Fast!
In Broadcast - October 2012 - 57
In Broadcast - October 2012 - 58
In Broadcast - October 2012 - 59
In Broadcast - October 2012 - ChyronIP Powers Graphics on Newtek Tricaster
In Broadcast - October 2012 - 61
In Broadcast - October 2012 - 62
In Broadcast - October 2012 - 63
In Broadcast - October 2012 - Take Control With Rascular’s Helm
In Broadcast - October 2012 - 65
In Broadcast - October 2012 - 66
In Broadcast - October 2012 - 67
In Broadcast - October 2012 - 68
In Broadcast - October 2012 - 69
In Broadcast - October 2012 - 70
In Broadcast - October 2012 - 71
In Broadcast - October 2012 - 72
In Broadcast - October 2012 - 73
In Broadcast - October 2012 - 74
In Broadcast - October 2012 - S1
In Broadcast - October 2012 - S2
In Broadcast - October 2012 - S3
In Broadcast - October 2012 - S4
In Broadcast - October 2012 - S5
In Broadcast - October 2012 - S6
In Broadcast - October 2012 - S7
In Broadcast - October 2012 - S8
In Broadcast - October 2012 - S9
In Broadcast - October 2012 - S10
In Broadcast - October 2012 - S11
In Broadcast - October 2012 - S12
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201911
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201611
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201610
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201609
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201607
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http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201605
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
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http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
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http://www.nxtbook.com/nxteu/lesommet/inbroadcast_CCW15expo
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http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC01
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201509
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http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201508
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_BROADCASTASIA2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201505
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http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201502
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201501
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201412
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201411
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201410
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