In Broadcast - October 2012 - S7
IBC Special Edition | FairFlash
7
Post Production
The award-winning CLIPSTER® workstation is a state-of-the-art system for mastering digital movies and for delivering encrypted digital cinema packages. DCI Mastering, including its brand new DCP-QC-Tool, CLIPSTER® leads its competition when it comes to creating mezzanine master formats like IMF. Built for highest possible performance, CLIPSTER® offers
Award-wining: CLIPSTER®
real-time playback up to 4K with 60 fps and 3D with 48 fps. CLIPSTER® provides faster-thanreal-time processing of all major digital camera RAW formats. CLIPSTER® is also the ideal solution for any stereo-scopic 3D workflow with features such as automatic analysis, correction and quality control. CLIPSTER® V.5 The latest version of CLIPSTER® introduces an impressive set of enhancements and features in the 3D arena and in DCP remastering. Moreover, by maximizing its number of supported formats and codecs, CLIPSTER® has become another example of the company’s philosophy of openness and interoperability.
DCI Validation This valuable tool now includes a batch processing feature and has also been extended with KDM tests for establishing efficient and automated DCI workflows. The adjustable validation parameters allow customer testing with an unprecedented degree of trust in the sensitive digital cinema environment. 3D Correction CLIPSTER® makes working with stereoscopic workflows much easier, which guarantees incredible time savings. With its new 3D correction tool, CLIPSTER® overcomes the challenge of fulfilling 3D preconditions for 3D DCP and deliverables. CLIPSTER’s
3D Quality Control via a 3D depth histogram comes with user-definable thresholds for maximum disparities and a visual range that is adjustable for different 3D applications. Mezzanine Format Mastering Along with its acclaimed Digital Cinema Mastering Tool, CLIPSTER® supports mezzanine files such as IMF, in line with the latest published specification from IMF/SMPTE. When integrating the latest IMF standardization processes into its products, DVS is a leading player – and the integration of CPL support into CLIPSTER® version 5 is another example of this first-to-market philosophy.
Video Boards
Continued from previous page
solution that will form the core of their infrastructure. Thanks to a new software package, the DVS storage solutions SpycerBox and DVS-SAN are better suited than ever to be the centerpieces in any type of workflow. The integration of STRAWBERRY project sharing and management software has made collaborative use of NLE projects possible utilizing Avid Media Composer®, Apple Final Cut Pro®, Adobe® Premiere® and other systems – even in combination. The SpycerBox family has established itself as the perfect platform when it comes to creating a storage architecture for broadcast and high-end post production environments.
Extremely reliable – DVS hardware Industry-leading manufacturers around the world integrate DVS video boards into their high-end products to fuel first-class digital film and video processing. DVS video boards are suitable for every workflow. While the well-known Atomix HDMI and Atomix LT are multi-purpose boards, CinePlay is dedicated to the cinema market. With two 3G SDI and two HDMI outputs, JPEG2000
decoding, AES decryption, CineLink™, audio and handling of security keys, CinePlay can easily become the heart of your cinema server. In addition to its hardware package, CinePlay comes with sophisticated SDK and sample cinema server software including playlists and remote GUI. The cinema server software will be the starting point for your own localized cinema application. Among the many new features in the Atomix family’s SDK is support
of the 3Gb/s SDI Level A mode that allows for smooth interaction with many next generation projectors and improved latencies in the GPU interface.
CinePlay – the video board for extreme versatility
Spyer®: DVS’s award-winning content control software
http://www.dvs.de/en/solutions/post-production.html
http://www.dvs.de/en/products/video-boards.html
http://www.dvs.de/products/storage-solutions.html
http://www.dvs.de
http://www.dvs.de
In Broadcast - October 2012
Table of Contents for the Digital Edition of In Broadcast - October 2012
In Broadcast - October 2012
Contents
PO Group Invest in 4k SGO Mistika Solution
BBC Entertainment Launches in Malaysia
AJA KI Pro Eases Elton John Show Workflow Transition
Bolshoi Theatre Install RTS System
Canal+ Sports Opts for Orad Power Wall
SIS LIVE Rolls Out OB 14 HD Truck
OCC’s Bill Smith Answers on the Technical Challenges
4KTV? Not So Fast!
ChyronIP Powers Graphics on Newtek Tricaster
Take Control With Rascular’s Helm
In Broadcast - October 2012 - Intro
In Broadcast - October 2012 - In Broadcast - October 2012
In Broadcast - October 2012 - 2
In Broadcast - October 2012 - Contents
In Broadcast - October 2012 - PO Group Invest in 4k SGO Mistika Solution
In Broadcast - October 2012 - 5
In Broadcast - October 2012 - BBC Entertainment Launches in Malaysia
In Broadcast - October 2012 - 7
In Broadcast - October 2012 - 8
In Broadcast - October 2012 - 9
In Broadcast - October 2012 - 10
In Broadcast - October 2012 - 11
In Broadcast - October 2012 - 12
In Broadcast - October 2012 - 13
In Broadcast - October 2012 - 14
In Broadcast - October 2012 - 15
In Broadcast - October 2012 - 16
In Broadcast - October 2012 - 17
In Broadcast - October 2012 - 18
In Broadcast - October 2012 - 19
In Broadcast - October 2012 - 20
In Broadcast - October 2012 - 21
In Broadcast - October 2012 - 22
In Broadcast - October 2012 - 23
In Broadcast - October 2012 - 24
In Broadcast - October 2012 - 25
In Broadcast - October 2012 - 26
In Broadcast - October 2012 - 27
In Broadcast - October 2012 - 28
In Broadcast - October 2012 - 29
In Broadcast - October 2012 - AJA KI Pro Eases Elton John Show Workflow Transition
In Broadcast - October 2012 - 31
In Broadcast - October 2012 - 32
In Broadcast - October 2012 - 33
In Broadcast - October 2012 - 34
In Broadcast - October 2012 - 35
In Broadcast - October 2012 - 36
In Broadcast - October 2012 - 37
In Broadcast - October 2012 - Bolshoi Theatre Install RTS System
In Broadcast - October 2012 - 39
In Broadcast - October 2012 - 40
In Broadcast - October 2012 - 41
In Broadcast - October 2012 - Canal+ Sports Opts for Orad Power Wall
In Broadcast - October 2012 - 43
In Broadcast - October 2012 - 44
In Broadcast - October 2012 - 45
In Broadcast - October 2012 - 46
In Broadcast - October 2012 - 47
In Broadcast - October 2012 - 48
In Broadcast - October 2012 - SIS LIVE Rolls Out OB 14 HD Truck
In Broadcast - October 2012 - 50
In Broadcast - October 2012 - 51
In Broadcast - October 2012 - 52
In Broadcast - October 2012 - 53
In Broadcast - October 2012 - OCC’s Bill Smith Answers on the Technical Challenges
In Broadcast - October 2012 - 55
In Broadcast - October 2012 - 4KTV? Not So Fast!
In Broadcast - October 2012 - 57
In Broadcast - October 2012 - 58
In Broadcast - October 2012 - 59
In Broadcast - October 2012 - ChyronIP Powers Graphics on Newtek Tricaster
In Broadcast - October 2012 - 61
In Broadcast - October 2012 - 62
In Broadcast - October 2012 - 63
In Broadcast - October 2012 - Take Control With Rascular’s Helm
In Broadcast - October 2012 - 65
In Broadcast - October 2012 - 66
In Broadcast - October 2012 - 67
In Broadcast - October 2012 - 68
In Broadcast - October 2012 - 69
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In Broadcast - October 2012 - S1
In Broadcast - October 2012 - S2
In Broadcast - October 2012 - S3
In Broadcast - October 2012 - S4
In Broadcast - October 2012 - S5
In Broadcast - October 2012 - S6
In Broadcast - October 2012 - S7
In Broadcast - October 2012 - S8
In Broadcast - October 2012 - S9
In Broadcast - October 2012 - S10
In Broadcast - October 2012 - S11
In Broadcast - October 2012 - S12
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