In Broadcast - October 2012 - 45


ISSUE 13 - OCTOBER 2012 | WWW.INBROADCAST.COM

I N T E R N A T I O N A L

N E W S

InTECH
What’s New In Routing And Vision Mixing Cont.

AJA Kumo 3232 2RU 32x32 SDI router

NTP Technology Penta 725 IP – routes over Gigabit Ethernet

Ensemble Designs’ Avenue 7435 and 9455 modules are bypass protection switches designed to keep a broadcaster on the air. If a failure in the programme feed is detected, the Avenue module switches to back up without visible or audible disturbance. An integral video frame synchroniser maintains alignment of mistimed and nonsynchronous SDI sources. The 9455 switch handles SD SDI, 1.5 gigabits per second HD SDI and 3 gigabits per second HD SDI signals while the 7435 is specifically for SD and HD signals. Delay can be adjusted up to eight frames, allowing the fault detection algorithms enough time to detect a failure in an input signal and switch to the backup before the fault has actually appeared on-air. Evertz EMR is a multi-format modular router handling digital audio, analogue audio, MADI audio, data, and timecode. A six rack-unit frame can accommodate 288 x 288 AES, 288 data ports, 288 x 288 time code signals, or a combination of sources. With two six rack-unit frames, the EMR can accommodate 576 x 576 AES signals with full redundancy. Other products that can be combined with the EMR include master control switchers and multiviewers. The EMR allows any mix of formats within a frame. Inputs and outputs are scalable in blocks of 96 or 48 depending on format. Each input and output device is connected to the crosspoint through a proprietary multiplex connection. For-A’s new HVS-390HS vision mixer is available in one and two mix/effects versions. It includes 16 HD/SD-SDI inputs and eight outputs, expandable to 24 inputs and 13 outputs, with frame synchronisers for all inputs. Built-in resisers on four inputs allow mixing of highdefinition, standard-definition and computer sources. Two chroma-

keyers plus four keyers per mix/ effects are standard. All keyers have 2.5D digital video effects and there are two 3D digital video effects buses (for background and keyer) for each mix/effects. The switcher includes storage for up to 480 video frames and up to 100 events. Grass Valley introduced at IBC a second-generation multiviewer option, TMV-2, for its NXT routing switcher. This generates multiple views combined with graphical images to show audio, clocks, mnemonics and tally alarms on single or multiple displays. The option offers compact size, 80 watts power consumption and 20 milliseconds signal latency. Harris’ Platinum router provides parallel signal paths and dedicated redundant crosspoints for both audio and video within a single frame. Platinum is able to demultiplex incoming embedded audio signals internally. All audio within the frame is presented to the crosspoint, routed independently and discretely, and can be multiplexed within the router into any digital video output. Platinum can also perform phase reversal, swap, sum and breakaway switching of the audio between any discrete or embedded input. NewTek’s new TriCaster 40 desktop video production studio is aimed at broadcasters and producers seeking low-cost full-resolution high-definition multi-camera live production and streaming capabilities. It endeavours to simplify live multi-camera video production and streaming by integrating video switching, graphics, titles, effects, media playback, virtual sets, keying, recording and streaming into a single device. The TriCaster 40 incorporates a 14-channel switcher with four live camera inputs, multiview m o n i t o r, d i g i t a l disk r e c o r d e r, network inputs, streaming encoder, downstream keyer, graphics, titles and effects, virtual sets, and

chroma keyer. Each virtual set includes multiple camera angles, distinct set locations, moving backgrounds, active video monitors, real-time reflections, and overthe-shoulder double box effects. Additional features include titling, graphics, 200 video transitions, 24 virtual sets and live streaming.

switching on the IP network is controlled by NTP Technology’s RCCore router control system. IP audio entering or leaving the Penta 725 IP router can be interfaced on a PC platform by using a dedicated Ethernet sound card or its virtual equivalent. The Penta 725 IP is equipped with redundant power supply. A redundant IP Matrix core module is optional. Miranda Technologies at IBC introduced the NV920 router controller and an upgraded NV8140 router. The one rack-unit NV920 is designed to control Miranda and third-party routers. It includes redundant power supplies, front service access and flexible configuration options. The NV8140 supports hybrid audio/ video routing over standard coax or fibre via a rectangular 144 x 288 matrix, housed in eight rackunits. Crosspoint redundancy protects all signal paths, including multiviewer outputs. Panasonic’s AV-HS410 is a compact 1 mix/effects live production mixer/switcher less than 50 centimetres in width. It provides nine signal inputs, expandable with option boards to a maximum of 13 signal inputs (HD/SD switchable). Board slots are included to allow support for a variety of input signals. In its standard configuration, the AV-HS410 handles HD and SD multiformat signals at 60, 50 or 24 hertz. Eight SDI (HD/SD) inputs and one DVI-D input are provided as standard. All input channels have a built-in frame synchroniser. Upconverters are included for four channels together with video processing circuits for eight channels. Five HD/SD SDI outputs and one DVI-D output are provided in
CONTINUED ON PAGE 46

Newtek Tricaster 40 DTV studio offers HD production capability

NTP Technology’s Penta 725 IP allows audio routing over IP-based Gigabit Ethernet with linear PCM audio quality and sub-millisecond latency. Housed in a one rack-unit high 19 inch chassis, the router has a capacity of 1024 x 1024 crosspoints and can accommodate 64 bi-directional channels via IP. It can also be populated to handle 64 AES3 input/output channels, six optical MADI channels and optional sampling-rate converters interfaces. The Penta 725 IP combines standard time-division multiplex routing with the ability to interface audio via Gigabit Ethernet. It can route the audio in the networks using standard switches. Additional Penta 725 IP systems can be combined to handle a total of 512 channels on a 1 gigabit/s network. Larger systems can be integrated where greater network capacity is available. Each audio channel can be deployed as a router input/output connection or to connect with extra Penta 725 IP

45

A

units. l l

the standard

For-A HVS-390HS is available in one and two mix/effects versions

Panasonic AV-HS410 compact mixer/switcher


http://www.linkedin.com/home?trk=hb_tab_home_top http://www.twitter.com/inbroadcast http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player http://www.facebook.com/pages/InBroadcast-e-zine/226166444076212 http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 http://WWW.INBROADCAST.COM http://www.aja.com/en/products/kumo/#overview http://www.ntp.dk/page1059.aspx http://www.newtek.com/ http://www.panasonic.com/business/provideo/AV-HS410.asp http://www.for-a.com/products/hvs390hs/hvs390hs.html

Table of Contents for the Digital Edition of In Broadcast - October 2012

In Broadcast - October 2012
Contents
PO Group Invest in 4k SGO Mistika Solution
BBC Entertainment Launches in Malaysia
AJA KI Pro Eases Elton John Show Workflow Transition
Bolshoi Theatre Install RTS System
Canal+ Sports Opts for Orad Power Wall
SIS LIVE Rolls Out OB 14 HD Truck
OCC’s Bill Smith Answers on the Technical Challenges
4KTV? Not So Fast!
ChyronIP Powers Graphics on Newtek Tricaster
Take Control With Rascular’s Helm
In Broadcast - October 2012 - Intro
In Broadcast - October 2012 - In Broadcast - October 2012
In Broadcast - October 2012 - 2
In Broadcast - October 2012 - Contents
In Broadcast - October 2012 - PO Group Invest in 4k SGO Mistika Solution
In Broadcast - October 2012 - 5
In Broadcast - October 2012 - BBC Entertainment Launches in Malaysia
In Broadcast - October 2012 - 7
In Broadcast - October 2012 - 8
In Broadcast - October 2012 - 9
In Broadcast - October 2012 - 10
In Broadcast - October 2012 - 11
In Broadcast - October 2012 - 12
In Broadcast - October 2012 - 13
In Broadcast - October 2012 - 14
In Broadcast - October 2012 - 15
In Broadcast - October 2012 - 16
In Broadcast - October 2012 - 17
In Broadcast - October 2012 - 18
In Broadcast - October 2012 - 19
In Broadcast - October 2012 - 20
In Broadcast - October 2012 - 21
In Broadcast - October 2012 - 22
In Broadcast - October 2012 - 23
In Broadcast - October 2012 - 24
In Broadcast - October 2012 - 25
In Broadcast - October 2012 - 26
In Broadcast - October 2012 - 27
In Broadcast - October 2012 - 28
In Broadcast - October 2012 - 29
In Broadcast - October 2012 - AJA KI Pro Eases Elton John Show Workflow Transition
In Broadcast - October 2012 - 31
In Broadcast - October 2012 - 32
In Broadcast - October 2012 - 33
In Broadcast - October 2012 - 34
In Broadcast - October 2012 - 35
In Broadcast - October 2012 - 36
In Broadcast - October 2012 - 37
In Broadcast - October 2012 - Bolshoi Theatre Install RTS System
In Broadcast - October 2012 - 39
In Broadcast - October 2012 - 40
In Broadcast - October 2012 - 41
In Broadcast - October 2012 - Canal+ Sports Opts for Orad Power Wall
In Broadcast - October 2012 - 43
In Broadcast - October 2012 - 44
In Broadcast - October 2012 - 45
In Broadcast - October 2012 - 46
In Broadcast - October 2012 - 47
In Broadcast - October 2012 - 48
In Broadcast - October 2012 - SIS LIVE Rolls Out OB 14 HD Truck
In Broadcast - October 2012 - 50
In Broadcast - October 2012 - 51
In Broadcast - October 2012 - 52
In Broadcast - October 2012 - 53
In Broadcast - October 2012 - OCC’s Bill Smith Answers on the Technical Challenges
In Broadcast - October 2012 - 55
In Broadcast - October 2012 - 4KTV? Not So Fast!
In Broadcast - October 2012 - 57
In Broadcast - October 2012 - 58
In Broadcast - October 2012 - 59
In Broadcast - October 2012 - ChyronIP Powers Graphics on Newtek Tricaster
In Broadcast - October 2012 - 61
In Broadcast - October 2012 - 62
In Broadcast - October 2012 - 63
In Broadcast - October 2012 - Take Control With Rascular’s Helm
In Broadcast - October 2012 - 65
In Broadcast - October 2012 - 66
In Broadcast - October 2012 - 67
In Broadcast - October 2012 - 68
In Broadcast - October 2012 - 69
In Broadcast - October 2012 - 70
In Broadcast - October 2012 - 71
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In Broadcast - October 2012 - 74
In Broadcast - October 2012 - S1
In Broadcast - October 2012 - S2
In Broadcast - October 2012 - S3
In Broadcast - October 2012 - S4
In Broadcast - October 2012 - S5
In Broadcast - October 2012 - S6
In Broadcast - October 2012 - S7
In Broadcast - October 2012 - S8
In Broadcast - October 2012 - S9
In Broadcast - October 2012 - S10
In Broadcast - October 2012 - S11
In Broadcast - October 2012 - S12
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
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