In Broadcast - October 2012 - 42


I N T E R N A T I O N A L

N E W S

WWW.INBROADCAST.COM | ISSUE 13 - OCTOBER 2012

InTEST

RTW Introduces RTW TM3-3G TouchMonitor
RTW, a leading vendor of visual audio meters for professional broadcast, production, post-production and quality control, introduced a new version of its successful TouchMonitor TM3 unit at IBC. The new TouchMonitor TM3-3G seamlessly allows the TM3’s current hardware and software design to visualise, convert and replay 3G SDI signals in TV and video production and post-production applications, offering a feature set that RTW claim as “unrivalled in its class”. Michael Kahsnitz, Technical Director, RTW, said: “After an excellent start for the TouchMonitor TM3, I am convinced that the market will be showing a great deal of interest in the 3G SDI-enabled TM33G version as well. “With its SDI interface, the deembedder featuring AES3 outputs and the integrated monitoring controller with headphones out, the TM3-3G is the perfect addition to production and postproduction workflows in today’s broadcast environments.” The TouchMonitor TM3-3G is a compact yet versatile solution for metering, de-embedding and monitoring 3G SDI audio. It features a 4.3-inch touchscreen for horizontal as well as vertical orientation, which can display any of the eight audio channels contained in a 3G SDI stream. It includes a large number of graphical and numerical instruments showing single-channel and summing loudness bargraphs, PPM, true peak, SPL, loudness range (LRA), dialnorm and correlation. The TM3 has comprehensive loudness metering in compliance with all globally relevant standards (EBU R128, ITU BS.1770-2/1771, ATSC A/85, and ARIB). It also features the Magic LRA mode, specifically designed by RTW, for intuitive visualisation of the loudness range and integratedloudness parameters. If equipped with the corresponding software license option, the integrated de-embedder also outputs up to 16 audio channels from the 3G SDI signal on eight AES3 two-channel ports. The output signals are independent from the visualised audio. In addition, the TM3-3G can be upgraded with a built-in monitoring controller license. This uses an onscreen fader for output-volume adjustment, a stereo output and phones out. The optional timecode license expands the feature set of the TM33G to allow external or SDI timecode signals to be decoded, displayed and used for additional functions. The intuitive operating concept of the TM3 allows for quick and easy selection of presets that can be configured using RTW’s Devicer DC1 software (available for Mac OS X and Windows). Using custom presets, the user can easily switch between the various sources, loudness standards and instrument layouts. The configuration software allows users to freely scale and place the required instruments virtually anywhere on the screen. ■

42

RTW TM3-3G TouchMonitor is SDI-enabled

InPLAY
Canal+ Sports Show Opts For Orad PowerWall
Canal+, France’s leading sports broadcaster, is utilising the Orad PowerWall solution to create video wall graphics in HD for its new sports programme. Grande Soirée du Samedi, which is broadcasted weekly, combines elements from popular Canal+ sports shows, Jour de Foot and Jour de Rugby. The programme offers viewers highlights of the week’s most powerful sporting event moments across France as well as major European leagues. Thanks to the Orad PowerWall, content from the highlights is displayed on the Canal+ Studio video wall in high-definition resolution. Luke Pannier, Internal Production Manager for Sports at Canal+, said: “We are very happy with Orad’s PowerWall solution as it takes its full dimension in Canal+ sports broadcasts.” without it becoming pixelated. For the Canal+ implementation, PowerWall integrates with the existing Orad 3DPlay system, linking content from Stat+, Canal+ Sport’s central database. Avi Sharir, CEO and President, Orad, said: “Canal+ wanted the ability to alternate quickly between displaying few video boxes to many. PowerWall enables it to easily make that transition without relying on an additional operator.” Orad Hi-Tec Systems provides real-time 3D broadcast graphic, video server, and media asset management solutions including news, channel branding, sports production and enhancement, elections and special events, virtual studios, and virtual advertisement. Orad’s solutions help streamline production workflow, enhance viewer experience, and improve production value. ■

Orad’s PowerWall in use at Canal+ Sports’ Grande Soirée du Samedi

The easy-to-use PowerWall system combines live video with graphics, supporting video clips and integrating with newsroom and automation systems. At the heart of the PowerWall solution is Orad’s new HDVG4 render platform. With full support

for 3D DVE animations, the HDVG4 platform manages 12 real-time 1080i HD SDI signals, facilitating dynamic effects for the multiplex video boxes. For HD 1080p video walls, content is delivered in 8K resolution, ensuring broadcasters can scan zoom in on the video


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In Broadcast - October 2012

Table of Contents for the Digital Edition of In Broadcast - October 2012

In Broadcast - October 2012
Contents
PO Group Invest in 4k SGO Mistika Solution
BBC Entertainment Launches in Malaysia
AJA KI Pro Eases Elton John Show Workflow Transition
Bolshoi Theatre Install RTS System
Canal+ Sports Opts for Orad Power Wall
SIS LIVE Rolls Out OB 14 HD Truck
OCC’s Bill Smith Answers on the Technical Challenges
4KTV? Not So Fast!
ChyronIP Powers Graphics on Newtek Tricaster
Take Control With Rascular’s Helm
In Broadcast - October 2012 - Intro
In Broadcast - October 2012 - In Broadcast - October 2012
In Broadcast - October 2012 - 2
In Broadcast - October 2012 - Contents
In Broadcast - October 2012 - PO Group Invest in 4k SGO Mistika Solution
In Broadcast - October 2012 - 5
In Broadcast - October 2012 - BBC Entertainment Launches in Malaysia
In Broadcast - October 2012 - 7
In Broadcast - October 2012 - 8
In Broadcast - October 2012 - 9
In Broadcast - October 2012 - 10
In Broadcast - October 2012 - 11
In Broadcast - October 2012 - 12
In Broadcast - October 2012 - 13
In Broadcast - October 2012 - 14
In Broadcast - October 2012 - 15
In Broadcast - October 2012 - 16
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In Broadcast - October 2012 - 18
In Broadcast - October 2012 - 19
In Broadcast - October 2012 - 20
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In Broadcast - October 2012 - 25
In Broadcast - October 2012 - 26
In Broadcast - October 2012 - 27
In Broadcast - October 2012 - 28
In Broadcast - October 2012 - 29
In Broadcast - October 2012 - AJA KI Pro Eases Elton John Show Workflow Transition
In Broadcast - October 2012 - 31
In Broadcast - October 2012 - 32
In Broadcast - October 2012 - 33
In Broadcast - October 2012 - 34
In Broadcast - October 2012 - 35
In Broadcast - October 2012 - 36
In Broadcast - October 2012 - 37
In Broadcast - October 2012 - Bolshoi Theatre Install RTS System
In Broadcast - October 2012 - 39
In Broadcast - October 2012 - 40
In Broadcast - October 2012 - 41
In Broadcast - October 2012 - Canal+ Sports Opts for Orad Power Wall
In Broadcast - October 2012 - 43
In Broadcast - October 2012 - 44
In Broadcast - October 2012 - 45
In Broadcast - October 2012 - 46
In Broadcast - October 2012 - 47
In Broadcast - October 2012 - 48
In Broadcast - October 2012 - SIS LIVE Rolls Out OB 14 HD Truck
In Broadcast - October 2012 - 50
In Broadcast - October 2012 - 51
In Broadcast - October 2012 - 52
In Broadcast - October 2012 - 53
In Broadcast - October 2012 - OCC’s Bill Smith Answers on the Technical Challenges
In Broadcast - October 2012 - 55
In Broadcast - October 2012 - 4KTV? Not So Fast!
In Broadcast - October 2012 - 57
In Broadcast - October 2012 - 58
In Broadcast - October 2012 - 59
In Broadcast - October 2012 - ChyronIP Powers Graphics on Newtek Tricaster
In Broadcast - October 2012 - 61
In Broadcast - October 2012 - 62
In Broadcast - October 2012 - 63
In Broadcast - October 2012 - Take Control With Rascular’s Helm
In Broadcast - October 2012 - 65
In Broadcast - October 2012 - 66
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In Broadcast - October 2012 - S1
In Broadcast - October 2012 - S2
In Broadcast - October 2012 - S3
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In Broadcast - October 2012 - S7
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In Broadcast - October 2012 - S9
In Broadcast - October 2012 - S10
In Broadcast - October 2012 - S11
In Broadcast - October 2012 - S12
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201912
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