In Broadcast September 2012 - 44


WWW.INBROADCAST.COM | ISSUE 12 - SEPTEMBER 2012

InSTUDIO

The Shift To HD In A File-Based Environment
The implementation of Arte’s new facilities has taken place in unique conditions in which BCE had to play the card of flexibility by ensuring the evolution of the channel without jeopardising the smooth process of daily operations. The project was thus achieved in two years with, first, the upgrading of the so-called “production” facilities and second, that of the “broadcasting” facilities.

In HD Mode
The first step of the project consisted in the implementation of centralised management system of the production’s content (PAM): as the true core of the production’s workflow, it carries data towards each station. This PAM deals with material management and filing including a thesaurus function (generation and interconnection of keywords.) The consultation of the content and the task management are carried out through a Web Client and, therefore, are available from anywhere. One of the first steps in the implementation of such a facility is the centralised ingest platform. Working with many countries and thus juggling with countless formats and content sources, this platform can digitise almost anything and convert videos into Arte’s working format (AVC-i@100Mbps). The platform’s automation ensures the running of the VTR and over-the-air signals but also allows the opposite process, i.e. the recording of file content on a tape. All computer equipment from the editing room and control room has been transferred to the mechanical

Control Room Gallery

44

room in order to shorten noise nuisance in those rooms. Equipped with a KVM system, the rooms are connected with the client through IP. BCE has set up four types of editing rooms: news, broadcast, audio; and effects. The audio editing rooms are equipped with the Satellite Video System which facilitates operation by separating audio and video during the exchanges and by gathering them automatically for the final version. The editors can also work with “nonflat” sessions in order to allow an easy integration of additional audio tracks. Both control rooms, built as before as a resiliency solution, are perfectly adapted to high-precision work. The studio manager has direct access to 22 video channels in order to produce television broadcasts and news. This plurality of the sources is also reinforced from the point of view of the audio engineer who has got access to the main audio router and therefore to all the sources. The redundancy of the rooms is perfect and the passage from o n e ro o m t o another can be done immediately thanks to the KVM system.

Tapeless Workflow
The installation of the broadcasting facilities has been carried out while the site was in full operation. Arte having developed its own MAM for the broadcasting, BCE had to integrate the new installations within the existing technology and ensure its symbiosis with third applications. Therefore, the new platform incorporates quality control in terms of audio (guarantees conformity with the Loudness R128 standard) and video. The “workflow engine” enables file transfer from a storage location to another. “Our teams had to show significant accuracy and a narrow collaboration with Arte’s teams in the context of the broadcasting department migration. Indeed, the works were carried out while the site was in full operation and our team had to ensure the running of the new systems without disturbing the broadcasting,” said Frederic Fievez, Manager Special Projects, BCE. With Arte broadcasting its programmes in two languages, subtitling had to allow multilingual management for the German and French channels, which do not share the same schedules. For instance, during a live event, the subtitling system allows the handling of the subtitles produced by the teams and makes it possible to move them according to the other channel’s broadcast time. In accordance with the new technology, BCE has equipped Arte’s broadcasting platform with

various systems that are necessary to ensure the management of the new standards of Dolby E, Dolby Digital 5.1 and 2.0 and Dolby Digital Plus as well as the compliance with the Loudness R128 standards. In order to acquire rapidity, Arte now works with content whose audio and video tracks are distinct. Therefore, when a modification is made on the audio, all that has to be done is change the related track without having to recalculate the global file. Alain Schank, Responsable Service TV-Systèmes, ARTE-GEIE, concluded : “The channel is now equipped with a platform that has two major assets. On the one hand, the technological breakthrough of high-definition using files as a working base and, on the other hand, the unique aspect of our workflow with the work on the shared servers and the use of a non-flat file format for an easier work with the audio.” ■

Editing Room

Control Room


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Table of Contents for the Digital Edition of In Broadcast September 2012

InNEWS Globosat Credits Tsl on Sportv Installation
BT Installs Snell Upgrade
InSOUND Merging Changes Gear With Horus
InSTUDIO Christie Presents Array of Projectors
InGEAR Multicam Systems Exhibit at Ibc
InGEAR Hitachi Ships 16-Bit 3g Sk-Hd1200 Camera
InGEAR Bosch Corner Silverstone With Electro-Voice
InREVIEW Exploring 3d: The New Grammar of Stereoscopic Filmmaking
InMEDIA Masstech: Mam for Leading Sports Channels
InMEDIA Scheduall Offers Full Interoperability
In Broadcast September 2012 - intro
In Broadcast September 2012 - Cover1
In Broadcast September 2012 - Cover2
In Broadcast September 2012 - 3
In Broadcast September 2012 - InNEWS Globosat Credits Tsl on Sportv Installation
In Broadcast September 2012 - 5
In Broadcast September 2012 - BT Installs Snell Upgrade
In Broadcast September 2012 - 7
In Broadcast September 2012 - 8
In Broadcast September 2012 - 9
In Broadcast September 2012 - 10
In Broadcast September 2012 - 11
In Broadcast September 2012 - 12
In Broadcast September 2012 - 13
In Broadcast September 2012 - 14
In Broadcast September 2012 - 15
In Broadcast September 2012 - 16
In Broadcast September 2012 - 17
In Broadcast September 2012 - 18
In Broadcast September 2012 - 19
In Broadcast September 2012 - 20
In Broadcast September 2012 - 21
In Broadcast September 2012 - 22
In Broadcast September 2012 - 23
In Broadcast September 2012 - 24
In Broadcast September 2012 - 25
In Broadcast September 2012 - 26
In Broadcast September 2012 - 27
In Broadcast September 2012 - 28
In Broadcast September 2012 - 29
In Broadcast September 2012 - 30
In Broadcast September 2012 - 31
In Broadcast September 2012 - 32
In Broadcast September 2012 - 33
In Broadcast September 2012 - 34
In Broadcast September 2012 - 35
In Broadcast September 2012 - 36
In Broadcast September 2012 - 37
In Broadcast September 2012 - InSOUND Merging Changes Gear With Horus
In Broadcast September 2012 - 39
In Broadcast September 2012 - 40
In Broadcast September 2012 - 41
In Broadcast September 2012 - 42
In Broadcast September 2012 - 43
In Broadcast September 2012 - 44
In Broadcast September 2012 - InSTUDIO Christie Presents Array of Projectors
In Broadcast September 2012 - 46
In Broadcast September 2012 - 47
In Broadcast September 2012 - 48
In Broadcast September 2012 - 49
In Broadcast September 2012 - 50
In Broadcast September 2012 - 51
In Broadcast September 2012 - 52
In Broadcast September 2012 - 53
In Broadcast September 2012 - 54
In Broadcast September 2012 - 55
In Broadcast September 2012 - InGEAR Multicam Systems Exhibit at Ibc
In Broadcast September 2012 - 57
In Broadcast September 2012 - InGEAR Hitachi Ships 16-Bit 3g Sk-Hd1200 Camera
In Broadcast September 2012 - 59
In Broadcast September 2012 - 60
In Broadcast September 2012 - 61
In Broadcast September 2012 - 62
In Broadcast September 2012 - InGEAR Bosch Corner Silverstone With Electro-Voice
In Broadcast September 2012 - 64
In Broadcast September 2012 - 65
In Broadcast September 2012 - 66
In Broadcast September 2012 - InREVIEW Exploring 3d: The New Grammar of Stereoscopic Filmmaking
In Broadcast September 2012 - 68
In Broadcast September 2012 - 69
In Broadcast September 2012 - InMEDIA Masstech: Mam for Leading Sports Channels
In Broadcast September 2012 - 71
In Broadcast September 2012 - InMEDIA Scheduall Offers Full Interoperability
In Broadcast September 2012 - 73
In Broadcast September 2012 - 74
In Broadcast September 2012 - 75
In Broadcast September 2012 - Cover4
In Broadcast September 2012 - S1
In Broadcast September 2012 - S2
In Broadcast September 2012 - S3
In Broadcast September 2012 - S4
In Broadcast September 2012 - S5
In Broadcast September 2012 - S6
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201803
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2018
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201709
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201708
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201702
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201611
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201610
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201609
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201608
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201607
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201606
http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201605
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201603
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2016
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201602
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201601
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201511
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_CCW15expo
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201510
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC01
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201509
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_IBC2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201508
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201507
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201506
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_BROADCASTASIA2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201505
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201504
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201503
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201502
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201501
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201412
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201411
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201410
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201409
http://europe.nxtbook.com/nxteu/lesommet/inbroadcastIBCPRINTEDGUIDE_201409
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201408
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201407
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