In Broadcast - July 2012 - 39


ISSUE 10 - JULY 2012 | WWW.INBROADCAST.COM

InSOUND
Dynaudio Professional DBM50 Desktop Monitor
From the handcrafted Dynaudio drivers to its beautiful exterior, DBM50 is specifically engineered to faithfully reproduce desktop mixes…
The Dynaudio Professional’s DBM50 – active desktop monitor features a 7.1” woofer and a 1.1” soft dome tweeter. All aspects of its design point towards desktop use. The angled front over the waveguide around the tweeter to the optional addition of a level controller, never compromises the all-important level interrelationship between speakers. Each and every one is handcrafted in Denmark with attention to the tiniest detail. More than 20 years of expertise in speaker design, development and manufacturing guarantees a set of monitors that go the extra mile to recreate even the smallest and most subtle details of any recording or production. The DBM50 comes with the option of adding a sleek controller that puts the user squarely at the helm of volume control in any situation. Levels can be set and manipulated with precision and ease, completely independent of the computer or workstation in use. The DBM50 controller provides perfect tracking, which, say Dynaudio Professional, “guarantees spot-on stereo imaging”. Main features of the DBM50 desktop monitor: • Perfectly Angled for Desktop Mixing; • Every Driver Handbuilt in Denmark; • Optional Master Volume Control; • 7.1” Woofer / 1.1” Soft Dome Tweeter; • 50+50 Watts; • 117 dB SPL; • Frequency Range: 46Hz to 21kHz; • Dimensions: 230 x 348 x 335 mm (9.1 x 13.7 x 13.2 in); • Weight: 7.2 kg (15.9 lbs); Dynaudio Professional’s DBM50 is available now in the EU and in the US. ■

39 Observer systems serve as powerful tools for quickly identifying and resolving issues, preventing chronic issues, providing a clear affidavit of compliance for regulators, and verifying ads. The Volicon product line is engineered to record aired A/V content 24 hours a day, along with metadata and continuously collected loudness measurements. Providing a historical, LAN/ WAN-accessible A/V record of the broadcast content with frameaccurate measurements, the Observer system not only enables proactive monitoring, but also allows the operator to “dial back the clock,” export questionable content, identify the problem, and isolate the cause of it. Volicon’s Observer logging systems enable frame-accurate loudness measurement, loudness reporting, graphing, and alarms. The unit’s loudness module continuously performs and logs the M (400ms), S (3s), and I (programmable) - with up to seven short-form and seven long-form measurements - that are outlined in EBU and ATSC recommended practices. Along with continuous loudness measurement, integration with automation/ad system asrun logs facilitates automated program loudness reporting for network certification.

Simplifying The Logistics Of Loudness Monitoring
By Gary Learner, Chief Technology Officer, Volicon
New loudness regulations being enacted by governments across the globe are increasing pressure on broadcasters and video service providers to address the issue of loudness. Today’s providers now consider loudness a critical element that must be closely monitored, corrected, and managed. The expanded dynamic range of digital audio, as compared with analogue audio, has made it possible to push content into the headroom portion of the audio and, in turn, to create television ads that are perceived by viewers as being louder than surrounding content. While perceived loudness is greater, levels remain within an apparently acceptable range. As a result, the peak metering techniques used to level analogue audio content cannot be applied effectively to monitor and control loudness in the digital audio realm. Responding to this monitoring problem, global industry groups such as ITU and ATSC have created new loudness standards designed to improve the user experience while maintaining the flexibility - and more theatre-like sound of content - enabled by digital audio. With the publication of Loudness Recommendation PLOUD R128 (based on the BSU 1770 specification) in August 2010, the European Broadcast Union (EBU) created a framework for measuring and normalising audio using loudness meters and monitors. Throughout Europe, regulatory bodies such as AGCOM in Italy and CSA in France are in the midst of enacting loudness legislation based on this recommendation. At the same time, broadcasters and video service providers are working to identify and install loudness measurement and monitoring tools that not only protect them from regulatory fees and penalties, but also support provision of a quality viewer experience. Volicon is meeting this need with its Observer line of digital video logging and monitoring systems. Combining a compliance logger with loudness measurement,

Gary Learner, CTO Volicon

Even without the as-run log, operators have the means to check and confirm compliance with loudness measurements made ondemand and after the fact. Faced with a viewer complaint or regulatory query, the broadcaster can use the Observer’s browser-based interface to navigate quickly through logged content to the ad in question and subsequently export both audio and video, with the real-time loudness parameters burned into the video, into an unambiguous A/V affidavit. There is no shortage of loudness monitoring tools on the market, but the Observer system is unique in leveraging logging to facilitate practical and flexible monitoring and compliance. ■


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Table of Contents for the Digital Edition of In Broadcast - July 2012

In Broadcast - July 2012
InNEWS
InREVIEW: BroadcastAsia Highlights
InSPORT: London Games Infrastructure
InVIEW: Fibre Optic Technology
InSOUND: What’s New In Audio Mixing
InSOUND: DIGICO RELEASE CONSOLES RANGE
InMEDIA: Automation Innovations
InMEDIA CLASS: RELIABLE APPROACH TO WORKFLOWS
InMEDIA: MARSHALLING MODERN BROADCAST OPERATIONS
InTECH: SATELLITE UPLINKS: FAR FROM STATIC
InTECH: EUROVISION SUCCESS FOR RIEDEL MEDIORNET
InFORM: MISTIKA POWERS NIKE’S 2D INTERACTIVE ADVERT
InFORM: SUBTITLING EXPLAINED
InGEAR: RYCOTE EXPANDS MICROPHONE SOLUTIONS
In Broadcast - July 2012 - In Broadcast - July 2012
In Broadcast - July 2012 - 2
In Broadcast - July 2012 - 3
In Broadcast - July 2012 - InNEWS
In Broadcast - July 2012 - 5
In Broadcast - July 2012 - 6
In Broadcast - July 2012 - 7
In Broadcast - July 2012 - 8
In Broadcast - July 2012 - 9
In Broadcast - July 2012 - 10
In Broadcast - July 2012 - 11
In Broadcast - July 2012 - 12
In Broadcast - July 2012 - 13
In Broadcast - July 2012 - 14
In Broadcast - July 2012 - 15
In Broadcast - July 2012 - 16
In Broadcast - July 2012 - 17
In Broadcast - July 2012 - 18
In Broadcast - July 2012 - 19
In Broadcast - July 2012 - 20
In Broadcast - July 2012 - 21
In Broadcast - July 2012 - InREVIEW: BroadcastAsia Highlights
In Broadcast - July 2012 - 23
In Broadcast - July 2012 - InSPORT: London Games Infrastructure
In Broadcast - July 2012 - 25
In Broadcast - July 2012 - 26
In Broadcast - July 2012 - 27
In Broadcast - July 2012 - InVIEW: Fibre Optic Technology
In Broadcast - July 2012 - 29
In Broadcast - July 2012 - 30
In Broadcast - July 2012 - 31
In Broadcast - July 2012 - InSOUND: What’s New In Audio Mixing
In Broadcast - July 2012 - 33
In Broadcast - July 2012 - 34
In Broadcast - July 2012 - 35
In Broadcast - July 2012 - 36
In Broadcast - July 2012 - 37
In Broadcast - July 2012 - InSOUND: DIGICO RELEASE CONSOLES RANGE
In Broadcast - July 2012 - 39
In Broadcast - July 2012 - 40
In Broadcast - July 2012 - 41
In Broadcast - July 2012 - InMEDIA: Automation Innovations
In Broadcast - July 2012 - 43
In Broadcast - July 2012 - 44
In Broadcast - July 2012 - 45
In Broadcast - July 2012 - 46
In Broadcast - July 2012 - 47
In Broadcast - July 2012 - InMEDIA CLASS: RELIABLE APPROACH TO WORKFLOWS
In Broadcast - July 2012 - 49
In Broadcast - July 2012 - 50
In Broadcast - July 2012 - 51
In Broadcast - July 2012 - 52
In Broadcast - July 2012 - 53
In Broadcast - July 2012 - InMEDIA: MARSHALLING MODERN BROADCAST OPERATIONS
In Broadcast - July 2012 - 55
In Broadcast - July 2012 - 56
In Broadcast - July 2012 - 57
In Broadcast - July 2012 - InTECH: SATELLITE UPLINKS: FAR FROM STATIC
In Broadcast - July 2012 - 59
In Broadcast - July 2012 - 60
In Broadcast - July 2012 - 61
In Broadcast - July 2012 - InTECH: EUROVISION SUCCESS FOR RIEDEL MEDIORNET
In Broadcast - July 2012 - 63
In Broadcast - July 2012 - InFORM: MISTIKA POWERS NIKE’S 2D INTERACTIVE ADVERT
In Broadcast - July 2012 - InFORM: SUBTITLING EXPLAINED
In Broadcast - July 2012 - 66
In Broadcast - July 2012 - 67
In Broadcast - July 2012 - InGEAR: RYCOTE EXPANDS MICROPHONE SOLUTIONS
In Broadcast - July 2012 - 69
In Broadcast - July 2012 - 70
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201906
http://europe.nxtbook.com/nxteu/lesommet/CTA-PREVIEW
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201905
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201812
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201811
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NewYork2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201810
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201809
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201808
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201806
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201805
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201804
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201803
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201802
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201801
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201712
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201711
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201710
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201709
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201708
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201707
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201702
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201611
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201610
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201609
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201608
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201607
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201606
http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201605
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201603
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2016
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201602
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201601
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201511
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_CCW15expo
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201510
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC01
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201509
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_IBC2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201508
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201507
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201506
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_BROADCASTASIA2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201505
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201504
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201503
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201502
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201501
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201412
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201411
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201410
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201409
http://europe.nxtbook.com/nxteu/lesommet/inbroadcastIBCPRINTEDGUIDE_201409
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201408
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201407
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201406
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201405
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201404
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201403
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201402
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201401
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201312
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201311
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201310
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201309
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