In Broadcast June 2012 - 56


WWW.INBROADCAST.COM | ISSUE 9 - JUNE 2012

InREVIEW

KOBA Serves Up Latest Kit
The Korea International Broadcast Audio and Lighting Equipment Show has attracted many top exhibitors – David Kirk finds it an easy show to navigate…
Some 240 exhibitors converged on the Korea Exhibition Center in Seoul for KOBA 2012. Although the show is only three weeks ahead of Broadcast Asia, not every Korean broadcaster or facilities manager wants to trek out to Singapore. The event is supported by a fair number of the leading-brand manufacturers one would expect to see at NAB and IBC. KOBA is one of the easiest 56 broadcast shows to navigate. Maps of each hall, clearly showing the occupying company at every stand, can be previewed online or downloaded and printed from www. kobashow.com. The exhibition occupies three halls, each grouped into one or more product categories: Hall A has three zones: audio equipment; pro-audio equipment; pro-lighting and stage equipment. Apart from Leader and Yamaha, the majority of exhibitors here are Korean manufacturers not normally seen at the big international shows. Hall C has two zones: displays and 3H/HDTV; post-production and delivery. Internationally known companies exhibiting in this location include Adobe, Blackmagic Design and Korean video monitor manufacturer TVLogic. Hall D is allocated to production and broadcasting equipment and is supported by globally familiar companies such as Arri, Canon, Etere, For-A, Harmonic, Harris, Ikegami, Libec, Panasonic, Quantel, Shotoku, Sony, Techno-Crane and Tektronix. Korea is home to some of the world’s largest consumer video display manufacturers, in both senses, and is leading the push beyond 1920 x 1080 pixel highdefinition into 4K ‘quad-HD’. Arri, Canon, Sony and Panasonic all promoted cameras for this new standard, initially focused on the digital cinema market. 4K is already being positioned as an ideal format for autostereoscopic 3D displays as a way of offsetting the loss in picture detail caused by lenticular filters. Adobe promoted its new ‘Creative Cloud’ [see page 36 – Ed]. A hub for making, sharing and delivering creative work, this is centred around Adobe CS 6 software including graphic design, web authoring, video and digital imaging tools. Blackmagic Design exhibited its new Cinema Camera which contains a 2.5K sensor, integral high-bandwidth SSD recorder, open file format support and a built in LCD with metadata entry. Etere’s KOBA activity centred on promoting the company’s MERP media asset management system. Features include IT based playout, work order management, speech to text, automation, air sales, time delay, commercials insertion, news automation, media integration, archiving, content

David Kirk

Everything Under Control

TM3. Loudness simplified. Loudness metering requires a closer look. The new TM3 makes it simple – with superior technology, intuitive operation, and an eye-catching appearance. Thanks to the innovative design and the flexible display layout, you will have all relevant production parameters under close control. Believe your eyes. Loudness approved! Visit www.rtw.de for more information. www.facebook.com/rtw.de

indexing, scheduling, programme management, web integration and video logging. For-A exhibited its new HVS390HS video production switcher. Available in 1 M/E and 2 M/E versions, it includes 16 HD/SDSDI inputs and eight outputs (expandable to 24 inputs and 13 outputs), with frame synchronisers for all inputs. Harmonic demonstrated version 2.0 of its Iris video quality monitoring and analytics software. This incorporates an enhanced graphical user interface and enables service providers to monitor and analyse their use of Harmonic broadcast encoders in real-time, using the data to help optimise bandwidth and video quality. Ikegami demonstrated its new Unicam HD multiformat cameras. These include the new HDK-97A 16-bit portable HD companioncamera and the HDK-97C 3G field production camera which supports 1080/60p 4:2:2 and 1080/60i 4:4:4. A docking-style camera, the HDK-97A also features a fibretransmission system from the head to its CCU. Quantel demonstrated the latest version of its Pablo colour correction and finishing system. This now supports the import of Sony F65 RAW files, providing F65 users with the highest quality post workflow for their projects. TVLogic showed additions to its range of broadcast, production and post-production monitors. These include the LQM-471W 47-inch 1920 x 1080 quad input monitor designed for multi-source monitoring in control rooms. With four SDI inputs/outputs, the LQM471W supports multiple display configurations and incorporates a waveform/vectorscope, closedcaption support, timecode display and remote control. ■

Foto: © GooDAura - Fotolia.com

HVS-390HS


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Table of Contents for the Digital Edition of In Broadcast June 2012

In Broadcast 6/12
Contents
Innews
Inview: Workflows Alter Post
Inaudio: Communications & Talkback Systems
Insound Glensound Hd Voice
Insound-the Loudness Control Dilemma
Inmedia: Networking in the Cloud
Inmedia Programming Perfection – the Adderlink Infinity Dual
Inmedia Cloud Station?
Instudio: Dynamic Supports
Ingear: Protective Bags & Cases
Inmedia Hd/sd Media Newsroom Has Global Presence
Inreply Argosy Has the Answers
Inreview Koba Serves Up Latest Kit
Infocus Oxygen Upgrades Sports Production Galleries
Infocus Newtek Unveils Next Generation Tricaster Family
Inform Tvu Networks on Video Stability
Inform Higher Frame Rates the Latest Hot Tech Fad?
69 Intest Omnitek Enhances Otm/otr Software
In Broadcast June 2012 - In Broadcast 6/12
In Broadcast June 2012 - 2
In Broadcast June 2012 - Contents
In Broadcast June 2012 - Innews
In Broadcast June 2012 - 5
In Broadcast June 2012 - 6
In Broadcast June 2012 - 7
In Broadcast June 2012 - 8
In Broadcast June 2012 - 9
In Broadcast June 2012 - 10
In Broadcast June 2012 - 11
In Broadcast June 2012 - 12
In Broadcast June 2012 - 13
In Broadcast June 2012 - 14
In Broadcast June 2012 - 15
In Broadcast June 2012 - 16
In Broadcast June 2012 - 17
In Broadcast June 2012 - 18
In Broadcast June 2012 - 19
In Broadcast June 2012 - 20
In Broadcast June 2012 - 21
In Broadcast June 2012 - 22
In Broadcast June 2012 - 23
In Broadcast June 2012 - Inview: Workflows Alter Post
In Broadcast June 2012 - 25
In Broadcast June 2012 - Inaudio: Communications & Talkback Systems
In Broadcast June 2012 - 27
In Broadcast June 2012 - 28
In Broadcast June 2012 - 29
In Broadcast June 2012 - Insound Glensound Hd Voice
In Broadcast June 2012 - 31
In Broadcast June 2012 - Insound-the Loudness Control Dilemma
In Broadcast June 2012 - 33
In Broadcast June 2012 - Inmedia: Networking in the Cloud
In Broadcast June 2012 - 35
In Broadcast June 2012 - 36
In Broadcast June 2012 - 37
In Broadcast June 2012 - Inmedia Programming Perfection – the Adderlink Infinity Dual
In Broadcast June 2012 - 39
In Broadcast June 2012 - Inmedia Cloud Station?
In Broadcast June 2012 - 41
In Broadcast June 2012 - Instudio: Dynamic Supports
In Broadcast June 2012 - 43
In Broadcast June 2012 - 44
In Broadcast June 2012 - 45
In Broadcast June 2012 - 46
In Broadcast June 2012 - 47
In Broadcast June 2012 - Ingear: Protective Bags & Cases
In Broadcast June 2012 - 49
In Broadcast June 2012 - 50
In Broadcast June 2012 - 51
In Broadcast June 2012 - 52
In Broadcast June 2012 - 53
In Broadcast June 2012 - Inmedia Hd/sd Media Newsroom Has Global Presence
In Broadcast June 2012 - Inreply Argosy Has the Answers
In Broadcast June 2012 - Inreview Koba Serves Up Latest Kit
In Broadcast June 2012 - Infocus Oxygen Upgrades Sports Production Galleries
In Broadcast June 2012 - Infocus Newtek Unveils Next Generation Tricaster Family
In Broadcast June 2012 - 59
In Broadcast June 2012 - 60
In Broadcast June 2012 - 61
In Broadcast June 2012 - 62
In Broadcast June 2012 - 63
In Broadcast June 2012 - Inform Tvu Networks on Video Stability
In Broadcast June 2012 - 65
In Broadcast June 2012 - 69 Intest Omnitek Enhances Otm/otr Software
In Broadcast June 2012 - 67
In Broadcast June 2012 - 68
In Broadcast June 2012 - 69
In Broadcast June 2012 - 70
In Broadcast June 2012 - 71
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