In Broadcast - May 2012 - 8


WWW.INBROADCAST.COM | ISSUE 8 - MAY 2012

InNEWS

ARRI Certify CLIPSTER
GER: DVS and ARRI have announced the certification of the DI workstation CLIPSTER for ALEXA ARRIRAW. With the support for the format, DVS CLIPSTER enables the real-time debayering of ALEXA RAW material in high quality. The RAW content can be directly displayed and edited in the CLIPSTER timeline and played out. CLIPSTER creates a single timeline from the RAW material and carries out decoding and demosaicing in real-time up to 4K.

Canon Extends 4K Line-Up
Canon has two 4K capable digital cinematography cameras and a 4K display monitor in the pipeline. This is in response to what Canon describe as “growing expectations for higher levels of imaging performance” in premium productions. The Cinema EOS C500, for use with EF-mount lenses, and the Cinema EOS C500 PL, for use with PL-mount lenses, cameras are capable of originating 4K resolution digital motion imagery with uncompressed RAW output for external recording. Canon also previewed its EOS1D C DSLR that records video at 4K (4096 x 2160-pixel) or Full HD (1920 x 1080-pixel) resolution to support high-end m o t i o n p i c t u r e and television production. The Canon EOS-1D C incorporates the Canon Log Gamma to enable the recording of high-quality video while also providing a high level of colourgrading freedom. The camera includes an 18.1-megapixel full-frame 24mm x 36mm Canon CMOS sensor with the ability to record 8-bit 4:2:2 Motion JPEG 4K video to the camera’s
Canon EOS C500

CF memory card or Full HD video. Additional features include an expanded sensitivity range of up to ISO 25600 for exceptional motionimaging results with reduced noise even in low-light settings. Canon is also in the process of developing a display monitor with 4K resolution, developmental samples of which were on show at NAB.

Egripment Focus On Virtual Moves
USA: At NAB, Egripment focused on virtual reality, full camera studio automation and the ProTraveller crane (for DSLR and HDV cameras). A fully encoded package for Virtual Studio’s or Augmented Reality is available for several different Egripment cranes, including the TDT System and the 305/306 remote heads, as well as optional encoders for use on track dollies. The tested and certified package can be utilised with rendering engines from VIZRT, Neuro TV, ORAD, Brainstorm and Ventuz.

AJA Ki Pro Quad Supports 4K
8 AJA Video System’s latest solidstate portable video recorder Ki Pro Quad was unveiled at NAB. Ki Pro Quad is capable of capturing high-quality editready files in formats including 4K (4096 x 2160), Quad HD (3840 x 2160), 2K (2048 x 1080), and HD (1920 x 1080), for a fast camera-to-editorial workflow with 10-bit 4:4:4 and 10-bit 4:2:2 colour support. Yuichi Ishizuka, Executive VP and GM, Imaging Technologies & Communications Group, Canon USA, said: “I believe a Ki Pro Quad, a Canon EOS C500 and a Thunderboltenabled Mac will revolutionise the industry.” Ki Pro Quad helps facilitate a 4K workflow, a c c e p t i n g RAW camera output via SDI simultaneously outputting that data via Thunderbolt. Highlighting the close
4K capable – AJA’s Ki Pro Quad

collaboration with Canon Inc, Nick Rashby, President, AJA Video Systems, said: “Ki Pro Quad offers some amazing new ways of working; by creating post-friendly files to removable SSDs, moving the original camera RAW files to a Mac, and allowing 4K monitoring all at the same time.” The recorder performs debayer processing of the RAW data that can be used to produce on-board Apple ProRes recordings to SSD media. HD, 2K and 4K ProRes files recorded to removable SSD media. The debayered image produced by the Ki Pro Quad can also be used for 4K monitoring in real-time. A scaled or cropped output is also simultaneously available for 2K or HD monitoring via SDI and HDMI.

Delkin Steady Suction Mount
USA: Delkin Devices, has expanded the rugged Fat Gecko camera mount collection with a connector bracket that provides triple or quadruple contact points for attaching a camera onto any smooth, non-porous surface. By coupling one dual suction camera mount with a second Fat Gecko Original or Mini model, photographers are guaranteed crisp still images and smooth video footage. This includes mounting a camera on the hood of a car or other moving vehicle.


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Table of Contents for the Digital Edition of In Broadcast - May 2012

In Broadcast - May 2012
In This Issue
Wohler Acquires RadiantGrid
NBC Olympics Chooses Avid Interplay Workflow
Argosy Launch Mini BNC Converter
intoPIX & AXON Collaborate on JPEG 2000
Sprayoff Celebrate New Generation
The Metadata Challenge
Miranda Unveil NV8140 Router
Sisvel Go 3D @ NAB 2012
New Developments in Asset Management – Grass Valley
Sound Devices Launch PIX-260
In Broadcast - May 2012 - In Broadcast - May 2012
In Broadcast - May 2012 - 2
In Broadcast - May 2012 - In This Issue
In Broadcast - May 2012 - Wohler Acquires RadiantGrid
In Broadcast - May 2012 - 5
In Broadcast - May 2012 - NBC Olympics Chooses Avid Interplay Workflow
In Broadcast - May 2012 - 7
In Broadcast - May 2012 - 8
In Broadcast - May 2012 - 9
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In Broadcast - May 2012 - Argosy Launch Mini BNC Converter
In Broadcast - May 2012 - 47
In Broadcast - May 2012 - 48
In Broadcast - May 2012 - 49
In Broadcast - May 2012 - 50
In Broadcast - May 2012 - 51
In Broadcast - May 2012 - intoPIX & AXON Collaborate on JPEG 2000
In Broadcast - May 2012 - Sprayoff Celebrate New Generation
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In Broadcast - May 2012 - 61
In Broadcast - May 2012 - The Metadata Challenge
In Broadcast - May 2012 - 63
In Broadcast - May 2012 - 64
In Broadcast - May 2012 - 65
In Broadcast - May 2012 - Miranda Unveil NV8140 Router
In Broadcast - May 2012 - 67
In Broadcast - May 2012 - Sisvel Go 3D @ NAB 2012
In Broadcast - May 2012 - 69
In Broadcast - May 2012 - New Developments in Asset Management – Grass Valley
In Broadcast - May 2012 - 71
In Broadcast - May 2012 - Sound Devices Launch PIX-260
In Broadcast - May 2012 - 73
In Broadcast - May 2012 - 74
In Broadcast - May 2012 - 75
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