In Broadcast - May 2012 - 14


WWW.INBROADCAST.COM | ISSUE 8 - MAY 2012

InNEWS

Eyeheight Grade Marathon Colour
GBR: Six Eyeheight CC-2M modular multi-rate colour correctors were in play during the 2012 London Marathon. The CC-2M colour corrector is an auto-sensing SD and HD system allowing independent realtime adjustment of red, green and blue component levels, master gain, lift, gamma and hue. A preview output provides a splitscreen view showing processed and unprocessed picture. Featuring a dedicated control panel, each panel can control up to six plug-in modular colour correction cards.

Autodesk Revamps Smoke 2013 Editing
Autodesk Smoke 2013 offers a completely redesigned and repackaged version of the all-in-one video editing and visual effects tool for the Mac. It features a unified creative workflow that brings powerful node-based compositing right in the timeline at a radically reduced price point. “Autodesk combined over 20 years of visual effects leadership and customer feedback to create video editing and effects software that serves the current and evolving marketplace for high-quality video content. Early feedback has been gratifyingly enthusiastic,” said Marc Petit, Senior Vice President, Autodesk Media & Entertainment. A recent Autodesk commissioned survey of film and video production companies found that editors and 14

Fox Sports Daytona 500
USA: Fox Sports employed Vizrt live broadcast graphics technology during its HDTV coverage of the Daytona 500. For this year’s race, FOX Sports used four Viz Trio template-based, real-time 3D character generators (CG) paired with four Viz Engine 3D rendering engines for real-time compositing of graphics and video. The Viz Engines were used to generate live graphics including lower thirds, over the shoulders, full screens and the FOXBOX crawl.

Smoke 2013 gains a timeline

studio owners are grappling with limited budgets, file management complexity and tight deadlines. But what Autodesk have

addressed in Smoke 2013 is implementing a more familiar timeline-based user interface to its previously node-based program.

Adobe Showcases CS 6
Adobe Systems showcased its latest software and innovations that improve how broadcasters, filmmakers and video professionals create, deliver and monetise highquality productions across multiple screens. Highlights of the show included the first public demonstrations of Adobe Creative Suite 6 Production Premium – including major updates for Adobe Premiere Pro CS6 and Adobe After Effects CS6 – before its official release, showcasing the software’s performance and tight integration that enables video professionals to work efficiently and streamline workflows. Jim Guerard, VP and General Manager, Video Solutions, Adobe, said: “Adobe is redefining the content creation workflow,” “This is a perfect opportunity to show off the new and breakthrough performance innovations in Creative Suite 6 Production Premium and demonstrate how it’s possible to work at the speed of your imagination, making workflows more efficient and audience experiences more compelling. From planning to playback, Adobe and its broadcast and media customers are leading the industry and reshaping how the digital video industry creates and consumes rich media.” Adobe demonstrated its new solutions along with key customer and partner-focused initiatives.

Hamlet Tools
USA: Centre stage for Hamlet at NAB was the DigiScope DS900 and flexible software VidScope-Plus QC toolset. The DS900 can incorporate up to six modular digital input boards in a half-width 1U cabinet. Modules provide all routine tests at up to 3G-SDI (level A and B). The range includes a test signal generator with embedded audio. The audio module completes the set covering 16 analogue and AES/ EBU audio inputs – tests include Dolby and loudness to US CALM or EBU standards.

Adobe CS6


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Table of Contents for the Digital Edition of In Broadcast - May 2012

In Broadcast - May 2012
In This Issue
Wohler Acquires RadiantGrid
NBC Olympics Chooses Avid Interplay Workflow
Argosy Launch Mini BNC Converter
intoPIX & AXON Collaborate on JPEG 2000
Sprayoff Celebrate New Generation
The Metadata Challenge
Miranda Unveil NV8140 Router
Sisvel Go 3D @ NAB 2012
New Developments in Asset Management – Grass Valley
Sound Devices Launch PIX-260
In Broadcast - May 2012 - In Broadcast - May 2012
In Broadcast - May 2012 - 2
In Broadcast - May 2012 - In This Issue
In Broadcast - May 2012 - Wohler Acquires RadiantGrid
In Broadcast - May 2012 - 5
In Broadcast - May 2012 - NBC Olympics Chooses Avid Interplay Workflow
In Broadcast - May 2012 - 7
In Broadcast - May 2012 - 8
In Broadcast - May 2012 - 9
In Broadcast - May 2012 - 10
In Broadcast - May 2012 - 11
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In Broadcast - May 2012 - 44
In Broadcast - May 2012 - 45
In Broadcast - May 2012 - Argosy Launch Mini BNC Converter
In Broadcast - May 2012 - 47
In Broadcast - May 2012 - 48
In Broadcast - May 2012 - 49
In Broadcast - May 2012 - 50
In Broadcast - May 2012 - 51
In Broadcast - May 2012 - intoPIX & AXON Collaborate on JPEG 2000
In Broadcast - May 2012 - Sprayoff Celebrate New Generation
In Broadcast - May 2012 - 54
In Broadcast - May 2012 - 55
In Broadcast - May 2012 - 56
In Broadcast - May 2012 - 57
In Broadcast - May 2012 - 58
In Broadcast - May 2012 - 59
In Broadcast - May 2012 - 60
In Broadcast - May 2012 - 61
In Broadcast - May 2012 - The Metadata Challenge
In Broadcast - May 2012 - 63
In Broadcast - May 2012 - 64
In Broadcast - May 2012 - 65
In Broadcast - May 2012 - Miranda Unveil NV8140 Router
In Broadcast - May 2012 - 67
In Broadcast - May 2012 - Sisvel Go 3D @ NAB 2012
In Broadcast - May 2012 - 69
In Broadcast - May 2012 - New Developments in Asset Management – Grass Valley
In Broadcast - May 2012 - 71
In Broadcast - May 2012 - Sound Devices Launch PIX-260
In Broadcast - May 2012 - 73
In Broadcast - May 2012 - 74
In Broadcast - May 2012 - 75
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