In Broadcast - April 2012 - 57

ISSUE 7 - APRIL 2012 | WWW.INBROADCAST.COM

InGEAR

Newcomer Takes On Role As Canon’s ‘Premium Standard’
The new Canon HJ17ex6.2B is set to impress with tele to wide optical performance
The Canon HJ17ex6.2B, boasting a focal length of 6.2~106mm extra wide angle and a shorter MOD (Minimum Object Distance), is set to take on the role as Canon’s ‘Premium Standard’ 2/3 inch HD camera lens. The HJ17ex6.2B is aimed at the ENG broadcasting sector. Its 6.2~106mm focal length is 1.4mm (18%) wider than the HJ17ex7.6B and is the widest in the Standard lens class. It’s a high performing solution for when a wider and closer shot is required, providing both convenience and the opportunity to capture creative images. when capturing tight images are required such as close-up interview situations or in closer object shooting. The HJ17ex6.2B benefits from Canon’s Optical Design expertise. With high precision aspherical and Hi-UD glass, aberrations and distortions are kept to an absolute minimum. The lens is designed to deliver superb optical performance throughout its whole focal range and also provides high resolution and contrast at any object distance. provide better stability and less stress and fatigue, especially over extended shooting periods. Meeting operator needs has been very much a priority in the development of the HJ17ex6.2B. Its drive unit is ergonomically designed and user friendly. Made to fit the human hand, it is comfortable to hold and easy to handle. A variety of customisation is available through Canon’s Display Function. Examples of the functions that can be set up to suit the operator’s preferences include an assignable switch and zoom speed adjustment. Up to nine different settings in total can be memorised. 3D configuration setting is also possible through the display.

HJ17x6.2B HD front view

Setting The Standard
Responding to the demand for HD content, the growth in HD Broadcasting is continuous and with emerging countries now moving to the format, transition is an on-going process. With the introduction of the new Canon HJ17ex6.2B HDTV Standard lens for 2/3 inch cameras, Canon claim that it meets, if not exceeds, the demands of all concerned: viewers, broadcasters and operators. ■

Operator Demands
News and Field Production camera operators need mobility and flexibility from their lenses. With its compact design and light weight, the HJ17ex6.2B meets its users’ needs effectively. Its centre of gravity balances the lens’s weight to

Extra Flexibility
The Canon HJ17ex6.2B lens’s MOD is shorter by 0.16 when compared to the HJ17ex7.6B. This gives the operator more flexibility

57

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In Broadcast - April 2012

Table of Contents for the Digital Edition of In Broadcast - April 2012

In Broadcast - April 2012
Contents
Broadcast Networks Delivers for Arqiva
Swedish Hockey Safe in the Bank
Viewcast Launches Niagara 9100 Series
Cavena: Enhancing the Value of Content
Broadcast Pix Announces Video Control Center 3.0
Telecast’s Latest Innovations
Glidecam Introduces XR-Series Stabilisers
Qvest Media Live With Code One Streaming
Volicon Extends Observer Utility
Petrol Bags Add to Audio & DSLR Range
In Broadcast - April 2012 - In Broadcast - April 2012
In Broadcast - April 2012 - Cover2
In Broadcast - April 2012 - Contents
In Broadcast - April 2012 - Broadcast Networks Delivers for Arqiva
In Broadcast - April 2012 - 5
In Broadcast - April 2012 - Swedish Hockey Safe in the Bank
In Broadcast - April 2012 - 7
In Broadcast - April 2012 - 8
In Broadcast - April 2012 - 9
In Broadcast - April 2012 - 10
In Broadcast - April 2012 - 11
In Broadcast - April 2012 - 12
In Broadcast - April 2012 - 13
In Broadcast - April 2012 - 14
In Broadcast - April 2012 - 15
In Broadcast - April 2012 - 16
In Broadcast - April 2012 - 17
In Broadcast - April 2012 - 18
In Broadcast - April 2012 - 19
In Broadcast - April 2012 - 20
In Broadcast - April 2012 - 21
In Broadcast - April 2012 - Viewcast Launches Niagara 9100 Series
In Broadcast - April 2012 - 23
In Broadcast - April 2012 - 24
In Broadcast - April 2012 - 25
In Broadcast - April 2012 - 26
In Broadcast - April 2012 - Cavena: Enhancing the Value of Content
In Broadcast - April 2012 - 28
In Broadcast - April 2012 - 29
In Broadcast - April 2012 - 30
In Broadcast - April 2012 - 31
In Broadcast - April 2012 - 32
In Broadcast - April 2012 - 33
In Broadcast - April 2012 - 34
In Broadcast - April 2012 - 35
In Broadcast - April 2012 - 36
In Broadcast - April 2012 - 37
In Broadcast - April 2012 - Broadcast Pix Announces Video Control Center 3.0
In Broadcast - April 2012 - 39
In Broadcast - April 2012 - 40
In Broadcast - April 2012 - 41
In Broadcast - April 2012 - 42
In Broadcast - April 2012 - 43
In Broadcast - April 2012 - 44
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In Broadcast - April 2012 - 49
In Broadcast - April 2012 - 50
In Broadcast - April 2012 - 51
In Broadcast - April 2012 - 52
In Broadcast - April 2012 - 53
In Broadcast - April 2012 - Telecast’s Latest Innovations
In Broadcast - April 2012 - 55
In Broadcast - April 2012 - Glidecam Introduces XR-Series Stabilisers
In Broadcast - April 2012 - 57
In Broadcast - April 2012 - 58
In Broadcast - April 2012 - 59
In Broadcast - April 2012 - 60
In Broadcast - April 2012 - 61
In Broadcast - April 2012 - 62
In Broadcast - April 2012 - Qvest Media Live With Code One Streaming
In Broadcast - April 2012 - 64
In Broadcast - April 2012 - 65
In Broadcast - April 2012 - Volicon Extends Observer Utility
In Broadcast - April 2012 - 67
In Broadcast - April 2012 - 68
In Broadcast - April 2012 - 69
In Broadcast - April 2012 - Petrol Bags Add to Audio & DSLR Range
In Broadcast - April 2012 - Cover3
In Broadcast - April 2012 - Cover4
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