In Broadcast - April 2012 - 52

WWW.INBROADCAST.COM | ISSUE 7 - APRIL 2012

InGEAR
Mobile Power Supplies Cont.
compatibility. The RP-XP1 film camera battery switch allows two Hawk-Woods’ Reel Power Batteries to be connected and discharged in sequence. other batteries. The PL16 can be used to power a camera from any AC supply worldwide, using the charger’s built-in 100 watt XLR4output camera power supply. A recovery feature is included, to recover lithium-ion batteries if their cut-out has been tripped. equipment shows and will be displaying its latest wares on their booth at NAB 2012 in Las Vegas.

VECT
VECT (Nanjing ETAI Trading), with a factory in Nanjing and export sales office in Hong Kong, is an ISO 9001:2000-certified company offering chargers, batteries and mounting adaptors for Canon, JVC, Panasonic and Sony DV camcorders.

IDX Technology
A recent new addition to the IDX Technology range or portable power equipment, is the A-E2KPm – a custom V-Mount sleeve to house and mount the AJA Ki Pro Mini recorder directly to the rear of V-Mount cameras. By incorporating a P-V plate into the housing, IDX ENDURA batteries can be attached to power both the Ki Pro Mini and camera. The new VL-PVC1 is a lightweight single-channel travel charger for ENDURA V-Mount batteries which can be easily stored in the side pocket of a camera bag for true field portability. IDX’s power products also include the high capacity ENDURA ELITE (136 watt-hours) and high load ENDURA-HL9 (88 watt-hours) with PowerLink.

Pro-X
Pro-X Professional Battery Systems, based in Zhengzhou, China, offers a range of batteries for high-end camcorders. A recent addition to its range is the Pro-X RED. Internal protection circuits monitor cell balance, temperature, over-charge and over-discharge. The battery can communicate percentage charge data with the camera. An integrated P-Tap on the side of the battery allows other 12 volt direct current devices to be powered. A four-element LED shows capacity in 25 per cent increments. The PRO-X XP-L95RED has a 97 watt-hour capacity which is equivalent to a run time of 3.8 hours.

Looking Ahead
Some years ago, a broadcast industry commentator suggested that all data archiving would soon be on solid state media rather than its present mix of tape, disk and film. Yes, sure, but that depends on what is meant by ‘soon’. Applying the same logic, everything in broadcasting, including content distribution, may eventually be achievable using battery-powered devices. But don’t hold your breath. Meanwhile, an increasing number of electrical products now being brought to market that operate on low-power direct-current so each comes with a separate mains adapter. International legislation to conform these devices is long overdue. In an ideal world, all low-voltage consumer kit would run off a single standard USB power emulator. ■

Cine 60 BLOQ uses lithium iron phosphate technology

52

PB-65 incorporates an additional connector to run light and camera simultaneously. It can replace all Sony EX-1 and EX-3 batteries and powers these cameras directly. Other cameras can be powered with Frezzi PC-series adapter cables. The Power Block Mount allows battery and accessories to shoemount to any handheld camera.

SWIT
SWIT was established in 1996, its first product being an NP-1-compatible battery for Sony camcorders. The SWIT product range today includes lithium-ion and nickel-metal-hydride batteries in a variety of form factors. These are supported by four V-mount, five Gold-mount, two NP-1 and ten DV chargers. SWIT is a regular exhibitor at the two largest western broadcast

PAG
PAG’s new PAGlink charger, designed for linked battery charging allows up to 16 PAGlink batteries to be charged simultaneously, eight per channel. PAGlink is claimed to be the only camera battery system that allows batteries to be linked together in multiples. Two, three, or up to eight batteries can be joined, combining capacities for longer camera run-time, and providing up to 12 amperes of current. The battery combination forms a high-speed serial network which controls discharging and allows charging to take place while the batteries are linked. PAG’s PL16 charger is capable of supplying 6 amperes at 16.8 volts and can fully charge all of the batteries regardless of the differences in their individual charge state. The charger features PAG’s Intelligent Parallel Charging software so that both positions are charging simultaneously. During charging, the percentage state-of-charge of each PAGlink battery is indicated on its individual five-LED display, showing which batteries are ready to use. The stages of the charging process for each channel are clearly indicated on the charger’s backlit LCD screen. The mostdischarged batteries are given a higher charge priority. Fully charged batteries will stop accepting charge automatically and independently of

Hawkwoods
Hawkwoods’ Reel Power Film Camera System has been specifically designed for running high voltage, high speed film cameras. This includes the widely used Phantom series. All batteries feature a male V-Mount type fitting which is compatible with the Reel Power range of chargers, adaptors and fittings. The portable RP battery chargers are designed to charge either the 26V or 30V series of RP batteries sequentially. Featuring two V-Mount type channels, they will charge the Manganese RP90M or RP-100M in approximately one hour. Two RP-140 or RP-180 batteries can be charged in around four hours each respectively. The V-Mount battery mount allows high speed high power film cameras to use the Reel Power range of high capacity batteries. Power is transferred to the camera via a 3-pin XLR flying lead. Additional power distribution is available via a PowerCon (D-Tap) socket and three-pin Fischer connector. The RP Camera Adaptor allows the high capacity Reel Power battery range (26/30 volt) to be used with conventional 12 volt broadcast cameras. It will attach to any camera using the Sony V-mount type battery fitting, creating Reel Power battery

PAGlink increases available running times


http://www.linkedin.com/home?trk=hb_tab_home_top http://www.twitter.com/inbroadcast http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player http://www.facebook.com/pages/InBroadcast-e-zine/226166444076212 http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 http://WWW.INBROADCAST.COM http://www.cine60.de/en/prod_bloq.php https://www.paguk.com/landing/PAGlink

In Broadcast - April 2012

Table of Contents for the Digital Edition of In Broadcast - April 2012

In Broadcast - April 2012
Contents
Broadcast Networks Delivers for Arqiva
Swedish Hockey Safe in the Bank
Viewcast Launches Niagara 9100 Series
Cavena: Enhancing the Value of Content
Broadcast Pix Announces Video Control Center 3.0
Telecast’s Latest Innovations
Glidecam Introduces XR-Series Stabilisers
Qvest Media Live With Code One Streaming
Volicon Extends Observer Utility
Petrol Bags Add to Audio & DSLR Range
In Broadcast - April 2012 - In Broadcast - April 2012
In Broadcast - April 2012 - Cover2
In Broadcast - April 2012 - Contents
In Broadcast - April 2012 - Broadcast Networks Delivers for Arqiva
In Broadcast - April 2012 - 5
In Broadcast - April 2012 - Swedish Hockey Safe in the Bank
In Broadcast - April 2012 - 7
In Broadcast - April 2012 - 8
In Broadcast - April 2012 - 9
In Broadcast - April 2012 - 10
In Broadcast - April 2012 - 11
In Broadcast - April 2012 - 12
In Broadcast - April 2012 - 13
In Broadcast - April 2012 - 14
In Broadcast - April 2012 - 15
In Broadcast - April 2012 - 16
In Broadcast - April 2012 - 17
In Broadcast - April 2012 - 18
In Broadcast - April 2012 - 19
In Broadcast - April 2012 - 20
In Broadcast - April 2012 - 21
In Broadcast - April 2012 - Viewcast Launches Niagara 9100 Series
In Broadcast - April 2012 - 23
In Broadcast - April 2012 - 24
In Broadcast - April 2012 - 25
In Broadcast - April 2012 - 26
In Broadcast - April 2012 - Cavena: Enhancing the Value of Content
In Broadcast - April 2012 - 28
In Broadcast - April 2012 - 29
In Broadcast - April 2012 - 30
In Broadcast - April 2012 - 31
In Broadcast - April 2012 - 32
In Broadcast - April 2012 - 33
In Broadcast - April 2012 - 34
In Broadcast - April 2012 - 35
In Broadcast - April 2012 - 36
In Broadcast - April 2012 - 37
In Broadcast - April 2012 - Broadcast Pix Announces Video Control Center 3.0
In Broadcast - April 2012 - 39
In Broadcast - April 2012 - 40
In Broadcast - April 2012 - 41
In Broadcast - April 2012 - 42
In Broadcast - April 2012 - 43
In Broadcast - April 2012 - 44
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In Broadcast - April 2012 - 49
In Broadcast - April 2012 - 50
In Broadcast - April 2012 - 51
In Broadcast - April 2012 - 52
In Broadcast - April 2012 - 53
In Broadcast - April 2012 - Telecast’s Latest Innovations
In Broadcast - April 2012 - 55
In Broadcast - April 2012 - Glidecam Introduces XR-Series Stabilisers
In Broadcast - April 2012 - 57
In Broadcast - April 2012 - 58
In Broadcast - April 2012 - 59
In Broadcast - April 2012 - 60
In Broadcast - April 2012 - 61
In Broadcast - April 2012 - 62
In Broadcast - April 2012 - Qvest Media Live With Code One Streaming
In Broadcast - April 2012 - 64
In Broadcast - April 2012 - 65
In Broadcast - April 2012 - Volicon Extends Observer Utility
In Broadcast - April 2012 - 67
In Broadcast - April 2012 - 68
In Broadcast - April 2012 - 69
In Broadcast - April 2012 - Petrol Bags Add to Audio & DSLR Range
In Broadcast - April 2012 - Cover3
In Broadcast - April 2012 - Cover4
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