In Broadcast - March 2012 - 44


WWW.INBROADCAST.COM | ISSUE 6 - MARCH 2012

InFOCUS
Developments In Video Cameras And Camcorders Cont.
microsecond. The Phantom 65 is available with 8, 16 or 32 gigabytes of internal memory and is compatible with Phantom CineMag storage modules which mount on top of the camera body and store 128, 256 or 512 gigabytes each. Camera setup and image file downloads are via a common Gigabit Ethernet connection are accomplished using a PC and Phantom software. Image files can easily be converted to TIFF stacks, DNG, DPX, or MOV formats using the included software package.

News Video

Panasonic’s new HDC-Z10000 3D camcorder

3D Viewing 44

Panasonic’s new HDC-Z10000 is an integrated twin-lens 2D/3D camcorder compatible with the AVCHD 3D/Progressive standard. This standard uses multiview video coding to record and play 3D images via the frame sequential method (each frame being at full resolution). The HDC-Z10000 incorporates Panasonic’s double 3MOS images and f/1.5 lenses for 1920 x 1080 50 frames per second recording. It has a 1.15 megapixel 3.5-inch autostereoscopic LCD viewfinder which can be used in mix overlay mode, allowing focus to be achieved by using the left eye only. The display can also be switched between 2D and 3D. The lenses allow from 32 mm (35 mm equivalent) wide-angle shooting (29.8 mm for 2D) to 10x optical zooming (12x for 2D shooting, 23x for shooting with zoom). Three independent manual rings allow fine adjustment of focus, zoom and iris. A dedicated dial lets the user finely adjust 3D convergence. Functions that are frequently used for recording are also arranged on the side of the camera body as separate buttons. Advanced image tuning functions, such as gamma mode, knee point, detail, detail coring, chroma levels, chroma phase, and master pedestal, can be applied. In addition to built-in microphones for recording Dolby Digital 5.1-channel surround sound/2-channel stereo, the camcorder has two XLR audio inputs with 48 volt phantom power for an external microphone

use. Uncompressed linear PCM audio (2-channel only) is also supported. Dual SD card slots that can be deployed for relay or back-up recording. Users can choose between NTSC, AVCHD 3D (1080/60i, 1080/24p, and 1080/30p), AVCHD 3D/Progressive (1080/60p), and AVCHD (1080/24p, 1080/30p, and 1080/60i PH/HA/ HE mode). Other functions include time code, 2D time lapse, and still picture recording to capture a 2D (JPEG) or 3D (MPO compliant) 2.1 megapixel still image at any time. Sony recently introduced the HDC-2500L 3-CCD HD portable and studio configurable camera. The HDC-2500 is 3G and has multiformat capability, from 1080/100i (double speed) to 1080/50P, as well as a wide range of other formats including 1 0 8 0 / 5 0 i , 1080/25P and 1080/24P. Newly developed 2/3inch CCDs and a new digital signal processor with 16-bit A/D converter are incorporated. The side panel can be replaced to allow HD wireless or Triax transmission.

of shooting at speeds of 120 frames per second. The dockable SR-R4 SR-Memory unit records 16-bit linear SR-RAW directly on to an SR-Memory card at up to 5 gigabits per second. The SR-R4 can also support SStP recording. Vision Research’s Phantom 65 is a large-format digital camera (65 mm) capable of capturing fullresolution images at up to 140 frames per second. Exposure time can be adjusted in increments of one

An increasing number of consumer digital snapshot cameras have quite respectable 1920 x 1080 video capabilities, particularly if mounted on a stable tripod rather than used handheld. DSLRs can turn in deliver excellent results combined with a considerable degree of creative flexibility. Video production certainly does not have to be expensive. The documentary ‘Japan’s Tsunami: Caught on Camera’, broadcast on December 11, 2011 and still viewable at www.channel4.com/ programmes/japans-tsunamicaught-on-camera/4od, proved that astounding video content can be captured using modern mobile phones if you happen to be in the wrong place at the wrong time. ■

Beyond 4K

Designed for the digital-cinema market, Sony’s F65 has 20 megapixel CMOS sensor capable

Sony’s headlining F65


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Table of Contents for the Digital Edition of In Broadcast - March 2012

In Broadcast - March 2012
Contents
Ross Video Acquires FX-Motion
MAM Systems Continue To Simplify Operations
Penta 725 IP Router Helps Hold Down Costs
Reidel MediorNet Compact To Debut At NAB
Sachtler Ensure A Professional Broadcast Feel
Pioneering Products From RTS/TELEX
Loudness Measurement And Logging
In2Connect UK Managing Director & Consultant For Bryant Broadcast
The VAR Network: Identify And Engage Globally
In Broadcast - March 2012 - In Broadcast - March 2012
In Broadcast - March 2012 - 2
In Broadcast - March 2012 - Contents
In Broadcast - March 2012 - Ross Video Acquires FX-Motion
In Broadcast - March 2012 - 5
In Broadcast - March 2012 - 6
In Broadcast - March 2012 - 7
In Broadcast - March 2012 - 8
In Broadcast - March 2012 - 9
In Broadcast - March 2012 - 10
In Broadcast - March 2012 - 11
In Broadcast - March 2012 - 12
In Broadcast - March 2012 - 13
In Broadcast - March 2012 - 14
In Broadcast - March 2012 - 15
In Broadcast - March 2012 - 16
In Broadcast - March 2012 - 17
In Broadcast - March 2012 - 18
In Broadcast - March 2012 - 19
In Broadcast - March 2012 - 20
In Broadcast - March 2012 - 21
In Broadcast - March 2012 - 22
In Broadcast - March 2012 - 23
In Broadcast - March 2012 - 24
In Broadcast - March 2012 - MAM Systems Continue To Simplify Operations
In Broadcast - March 2012 - 26
In Broadcast - March 2012 - 27
In Broadcast - March 2012 - 28
In Broadcast - March 2012 - Penta 725 IP Router Helps Hold Down Costs
In Broadcast - March 2012 - 30
In Broadcast - March 2012 - 31
In Broadcast - March 2012 - 32
In Broadcast - March 2012 - 33
In Broadcast - March 2012 - Reidel MediorNet Compact To Debut At NAB
In Broadcast - March 2012 - 35
In Broadcast - March 2012 - 36
In Broadcast - March 2012 - 37
In Broadcast - March 2012 - Sachtler Ensure A Professional Broadcast Feel
In Broadcast - March 2012 - 39
In Broadcast - March 2012 - 40
In Broadcast - March 2012 - 41
In Broadcast - March 2012 - 42
In Broadcast - March 2012 - 43
In Broadcast - March 2012 - 44
In Broadcast - March 2012 - 45
In Broadcast - March 2012 - 46
In Broadcast - March 2012 - 47
In Broadcast - March 2012 - 48
In Broadcast - March 2012 - 49
In Broadcast - March 2012 - 50
In Broadcast - March 2012 - 51
In Broadcast - March 2012 - Pioneering Products From RTS/TELEX
In Broadcast - March 2012 - 53
In Broadcast - March 2012 - 54
In Broadcast - March 2012 - 55
In Broadcast - March 2012 - 56
In Broadcast - March 2012 - 57
In Broadcast - March 2012 - Loudness Measurement And Logging
In Broadcast - March 2012 - 59
In Broadcast - March 2012 - In2Connect UK Managing Director & Consultant For Bryant Broadcast
In Broadcast - March 2012 - 61
In Broadcast - March 2012 - 62
In Broadcast - March 2012 - 63
In Broadcast - March 2012 - 64
In Broadcast - March 2012 - 65
In Broadcast - March 2012 - 66
In Broadcast - March 2012 - 67
In Broadcast - March 2012 - The VAR Network: Identify And Engage Globally
In Broadcast - March 2012 - 69
In Broadcast - March 2012 - 70
In Broadcast - March 2012 - 71
In Broadcast - March 2012 - 72
In Broadcast - March 2012 - 73
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