In Broadcast February 2012 - 66


InAUDIO
Jünger Audio’s D*AP LM4 four channel processor

Jünger Audio Control Audio Loudness
Audio loudness and dynamics specialist Jünger Audio is helping broadcasters comply with the latest loudness recommendations by providing them with a range of digital audio processors incorporating its proprietary LEVEL MAGIC™ II loudness control algorithm. The two, four and eight channel processors, all of which comply with EBU R128, ITU and ATSC A/85 broadcast audio recommendations, form part of an expanding family of products. Jünger Audio has added two new processors to the range – the D*AP LM4 four channel processor, which is now shipping, and the D*AP LM2 two channel processor, which will ship in early 2012. Jünger Audio’s T*AP TV Audio Processor made its operational debut at last year’s Eurovision Song Contest. Primarily designed for TV playout facilities, the device fulfils the quality requirements set by major broadcasters around the world by providing loudness control, 5.1 surround upmix and surround sound processing for up to eight channels of audio (4 x stereo or 5.1 x 2). T*AP focuses on automatic and adaptive loudness control using Jünger Audio’s LEVEL MAGIC™ II algorithm and also offers Spectral Signature as standard, enabling broadcasters to dynamically equalise and ‘colour’ their sound in a much easier manner than can be achieved with a traditional multiband sound processor. Optional Dolby Decoding and Encoding (D, D+, or Pulse), as well as metadata management, are also
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provided along with 5.1 downmix and Jünger Audio’s 5.1 UPMIX circuit, which has been upgraded to deliver greatly improved performance and a range of new settings. D*AP LM4 Digital Audio Processor replaces Jünger Audio’s B46 and is designed for television broadcasters and post production that need to control loudness in production, playout or distribution. The LM4 can process four channels of audio from 3G capable SDI, AES or analogue connections. For operational peace of mind, the LM4 includes power-fail bypass on all the I/O and is available with either single or dual power supplies. When the two channel D*AP LM2 come to market it will be capable of handling both analogue and digital (AES/EBU) audio and will feature an automatic input switchover with parallel output formats. Jünger Audio’s Adaptive Dynamics is standard, allowing customers to incorporate additional processing blocks such as filters, compressors, expanders and as an option the recently introduced proprietary Spectral Signature processor. An addition to the Jünger Audio loudness toolkit is the Loudness Logger software, which can be used with T*AP, D*AP and C8086+. Loudness Logger monitors, logs and analyses loudness using measurement data from Level Magic II loudness control. It provides live metering and scrolling graphs of input, output and processing values and off line quality analysis of log files.

Booth L18

Booth S1-C23

The D*AP LM2 two channel processor


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Table of Contents for the Digital Edition of In Broadcast February 2012

In Broadcast - February 2012
Contents
Pictorvision Academy Award
The Ultimate Strategy to Win
Importance of Smooth Streaming
Sony Vegas Pro 11 GPU Speed Boost
Trilogy Communications Celebrates 25 years
CES 2012 Smarter Systems on Show
Vitec Videocom CEO Joop Janssen has the Answers
Space Saving 3D System
OpticamSWITCH Success at Swiss TV
In Broadcast February 2012 - 1
In Broadcast February 2012 - 2
In Broadcast February 2012 - Contents
In Broadcast February 2012 - Pictorvision Academy Award
In Broadcast February 2012 - 5
In Broadcast February 2012 - 6
In Broadcast February 2012 - 7
In Broadcast February 2012 - 8
In Broadcast February 2012 - 9
In Broadcast February 2012 - 10
In Broadcast February 2012 - 11
In Broadcast February 2012 - 12
In Broadcast February 2012 - 13
In Broadcast February 2012 - 14
In Broadcast February 2012 - 15
In Broadcast February 2012 - 16
In Broadcast February 2012 - 17
In Broadcast February 2012 - 18
In Broadcast February 2012 - 19
In Broadcast February 2012 - The Ultimate Strategy to Win
In Broadcast February 2012 - 21
In Broadcast February 2012 - 22
In Broadcast February 2012 - 23
In Broadcast February 2012 - 24
In Broadcast February 2012 - 25
In Broadcast February 2012 - 26
In Broadcast February 2012 - 27
In Broadcast February 2012 - 28
In Broadcast February 2012 - 29
In Broadcast February 2012 - 30
In Broadcast February 2012 - 31
In Broadcast February 2012 - 32
In Broadcast February 2012 - 33
In Broadcast February 2012 - Importance of Smooth Streaming
In Broadcast February 2012 - 35
In Broadcast February 2012 - 36
In Broadcast February 2012 - 37
In Broadcast February 2012 - 38
In Broadcast February 2012 - 39
In Broadcast February 2012 - Sony Vegas Pro 11 GPU Speed Boost
In Broadcast February 2012 - Trilogy Communications Celebrates 25 years
In Broadcast February 2012 - 42
In Broadcast February 2012 - 43
In Broadcast February 2012 - 44
In Broadcast February 2012 - 45
In Broadcast February 2012 - 46
In Broadcast February 2012 - 47
In Broadcast February 2012 - 48
In Broadcast February 2012 - CES 2012 Smarter Systems on Show
In Broadcast February 2012 - 50
In Broadcast February 2012 - 51
In Broadcast February 2012 - 52
In Broadcast February 2012 - 53
In Broadcast February 2012 - 54
In Broadcast February 2012 - Vitec Videocom CEO Joop Janssen has the Answers
In Broadcast February 2012 - Space Saving 3D System
In Broadcast February 2012 - 57
In Broadcast February 2012 - 58
In Broadcast February 2012 - 59
In Broadcast February 2012 - 60
In Broadcast February 2012 - 61
In Broadcast February 2012 - OpticamSWITCH Success at Swiss TV
In Broadcast February 2012 - 63
In Broadcast February 2012 - 64
In Broadcast February 2012 - 65
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In Broadcast February 2012 - 67
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http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201511
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http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC01
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