In Broadcast February 2012 - 60


InSOUND
Audio Post Production Is Key To The Mix Cont.
either the Mac or PC. Packages like Audacity can be downloaded free and are updated by those that use it. This provides basic editing and mixing but most professional sound editors prefer more sophisticated systems like Pro Tools, Nuendo and Adobe Audition, which was previously marketed under the Cool Edit Pro name before being bought out. A major rival to Avid on both the recording-editing and mixing front is Australian company Fairlight. Originally known as a synthesizer pioneer with the CMI (Computer Musical Instrument) digital sampling system, Fairlight has moved into both audio and video for post-production. Its systems include the Xynergi, EVO and Pyxis, with installations internationally, including the US, Singapore and Germany, as well as Australia. In the UK Wave has added to its Fairlight MFX3 DAWs by installing EVO systems into two new studios at its Soho facility. The rooms were designed by acoustic consultancy White Mark and were built to provide more capacity for Wave’s film and commercials work. “Fortunately we were able to acquire more space on the ground floor of our existing building and this gave us the opportunity to build two new audio suites, add some new offices and expand our production area,” comments Tari Singh, Wave’s General Manager. “This has been a major building project but it has all come together very well and we are delighted with the work both White Mark and their builder Oakwood have carried out on Audio Suites 8 and 9. Both rooms are equipped with new Fairlight EVO workstations and Genelec monitoring and have Nuendo sound design capability. As with our existing suites, these new rooms are linked to a central server giving them instant access to a sound library with over 500,000 sound effects.”

Avid ICON D-Command ES 24-Fader

60

a range of control surfaces in this style. These include the ICON D-Command and D-Control series and the System MC-5 large format desk, which was part of the Euphonix product line bought by Avid in 2010. AMS Neve still has a sizeable share of the high-end audio post console market, with Solid State Logic (SSL), also a major player. AMS Neve’s offering for this market includes the DFC Gemini digital film console, the DFC PS-1 for both film and TV, the DMC digital multimedia desk, the CineFile HD recording and playback system and the Audio File SC/X editor. Among the major users of AMS Neve in the UK is the AIR Entertainment

Group, which has a 48-fader Gemini for dubbing. SSL has an international reputation of mixing consoles. Its post range includes the C200DH, C300HD and Matrix desks. With the coming of digital the mixing desk has been part of a bigger, more powerful set-up that involves routing and processing. Among SSL’s products on this side is the XLogicI/O range. Among the other challengers to Pro Tools is the Merging Technologies Pyramix system. This DAW has always been able to run in real-time, but the latest version uses the MassCore engine to increase its power and capability.

Sound Interest

Pan To Virtual

Over the years DAWs have moved away from proprietary hardware and into the realms of software for

There are no certainties in postproduction but with the growing enthusiasm for cinema-style sound at home, with 5.1 surround, the audio side of the facilities market is always going to be one to watch.


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Table of Contents for the Digital Edition of In Broadcast February 2012

In Broadcast - February 2012
Contents
Pictorvision Academy Award
The Ultimate Strategy to Win
Importance of Smooth Streaming
Sony Vegas Pro 11 GPU Speed Boost
Trilogy Communications Celebrates 25 years
CES 2012 Smarter Systems on Show
Vitec Videocom CEO Joop Janssen has the Answers
Space Saving 3D System
OpticamSWITCH Success at Swiss TV
In Broadcast February 2012 - 1
In Broadcast February 2012 - 2
In Broadcast February 2012 - Contents
In Broadcast February 2012 - Pictorvision Academy Award
In Broadcast February 2012 - 5
In Broadcast February 2012 - 6
In Broadcast February 2012 - 7
In Broadcast February 2012 - 8
In Broadcast February 2012 - 9
In Broadcast February 2012 - 10
In Broadcast February 2012 - 11
In Broadcast February 2012 - 12
In Broadcast February 2012 - 13
In Broadcast February 2012 - 14
In Broadcast February 2012 - 15
In Broadcast February 2012 - 16
In Broadcast February 2012 - 17
In Broadcast February 2012 - 18
In Broadcast February 2012 - 19
In Broadcast February 2012 - The Ultimate Strategy to Win
In Broadcast February 2012 - 21
In Broadcast February 2012 - 22
In Broadcast February 2012 - 23
In Broadcast February 2012 - 24
In Broadcast February 2012 - 25
In Broadcast February 2012 - 26
In Broadcast February 2012 - 27
In Broadcast February 2012 - 28
In Broadcast February 2012 - 29
In Broadcast February 2012 - 30
In Broadcast February 2012 - 31
In Broadcast February 2012 - 32
In Broadcast February 2012 - 33
In Broadcast February 2012 - Importance of Smooth Streaming
In Broadcast February 2012 - 35
In Broadcast February 2012 - 36
In Broadcast February 2012 - 37
In Broadcast February 2012 - 38
In Broadcast February 2012 - 39
In Broadcast February 2012 - Sony Vegas Pro 11 GPU Speed Boost
In Broadcast February 2012 - Trilogy Communications Celebrates 25 years
In Broadcast February 2012 - 42
In Broadcast February 2012 - 43
In Broadcast February 2012 - 44
In Broadcast February 2012 - 45
In Broadcast February 2012 - 46
In Broadcast February 2012 - 47
In Broadcast February 2012 - 48
In Broadcast February 2012 - CES 2012 Smarter Systems on Show
In Broadcast February 2012 - 50
In Broadcast February 2012 - 51
In Broadcast February 2012 - 52
In Broadcast February 2012 - 53
In Broadcast February 2012 - 54
In Broadcast February 2012 - Vitec Videocom CEO Joop Janssen has the Answers
In Broadcast February 2012 - Space Saving 3D System
In Broadcast February 2012 - 57
In Broadcast February 2012 - 58
In Broadcast February 2012 - 59
In Broadcast February 2012 - 60
In Broadcast February 2012 - 61
In Broadcast February 2012 - OpticamSWITCH Success at Swiss TV
In Broadcast February 2012 - 63
In Broadcast February 2012 - 64
In Broadcast February 2012 - 65
In Broadcast February 2012 - 66
In Broadcast February 2012 - 67
In Broadcast February 2012 - 68
In Broadcast February 2012 - 69
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