In Broadcast February 2012 - 27


InFOCUS

Compact Prime Lens Success
By Michael Schiehlen, Sales Director, Carl Zeiss AG, Camera Lens Division
Impressive creations of photography and cinematography have been developed through the lenses of Carl Zeiss since 1890. The most ambitious photographers and moviemakers love working with these versatile and reliable partners. The experience of several generations, supreme precision and uncompromising passion for optical systems – ZEISS lenses made history and withstand the test of time. Carl Zeiss offers high quality lenses for almost any cinematographic and HD video application. More than 30 Oscar winning movies were shot with the high-end cine lenses from Carl Zeiss. Lens names like Master Prime, Ultra Prime are well-known among professional cinematographers. The Compact Prime CP.2 lenses are the latest members of the ZEISS family of entry-level lenses for digital and film cameras. This second generation of the Compact Prime lenses now delivers even greater flexibility by introducing interchangeable mounts – PL for Arri PL, EF for Canon EOS system, F for the Nikon F-system, MFT for the Olympus/Panasonic micro 4/3system, E for the Sony E-system – that allow the lenses to be used with a wide range of cameras from traditional cine to HDSLR systems. CP.2 lenses deliver high image quality and robust construction. The current ZEISS Compact Prime Lens set consists of nine lenses ranging from 18 to 100 mm (full still sensor format 24x36 mm). The key to the success of CP.2 lenses was how they bridged the gap from entry level DSLRs to high-end PL mount productions. A filmmaker or startup rental house could invest in CP.2 lenses with EF mounts. After a few jobs, some could afford an ALEXA or RED, and adding PL mounts was simple and cost effective. It was the lens for customers who wanted to use the new generation of cameras, and were empowered because of affordable, good glass. Now it is time to expand the line with more possibilities for users. In 2012 Carl Zeiss will introduce wider and longer lenses to their existing line of CP.2 lenses and also compact and lightweight zooms that fit to the small HDSLR and HD video cameras. Making movies with small flexible cameras with good image quality is established. As with the CP.2 lenses the
The ZEISS CP.2 line up

Michael Schiehlen

“The key to the success of CP.2 lenses was how they bridged the gap from entry level DSLRs to high-end PL mount productions.”

new lenses will maintain full format sensor coverage of 24x36 mm for maximum flexibility.

So, for Carl Zeiss customers, the year 2012 will become very exciting!

27

Tele Zoom Lens


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Table of Contents for the Digital Edition of In Broadcast February 2012

In Broadcast - February 2012
Contents
Pictorvision Academy Award
The Ultimate Strategy to Win
Importance of Smooth Streaming
Sony Vegas Pro 11 GPU Speed Boost
Trilogy Communications Celebrates 25 years
CES 2012 Smarter Systems on Show
Vitec Videocom CEO Joop Janssen has the Answers
Space Saving 3D System
OpticamSWITCH Success at Swiss TV
In Broadcast February 2012 - 1
In Broadcast February 2012 - 2
In Broadcast February 2012 - Contents
In Broadcast February 2012 - Pictorvision Academy Award
In Broadcast February 2012 - 5
In Broadcast February 2012 - 6
In Broadcast February 2012 - 7
In Broadcast February 2012 - 8
In Broadcast February 2012 - 9
In Broadcast February 2012 - 10
In Broadcast February 2012 - 11
In Broadcast February 2012 - 12
In Broadcast February 2012 - 13
In Broadcast February 2012 - 14
In Broadcast February 2012 - 15
In Broadcast February 2012 - 16
In Broadcast February 2012 - 17
In Broadcast February 2012 - 18
In Broadcast February 2012 - 19
In Broadcast February 2012 - The Ultimate Strategy to Win
In Broadcast February 2012 - 21
In Broadcast February 2012 - 22
In Broadcast February 2012 - 23
In Broadcast February 2012 - 24
In Broadcast February 2012 - 25
In Broadcast February 2012 - 26
In Broadcast February 2012 - 27
In Broadcast February 2012 - 28
In Broadcast February 2012 - 29
In Broadcast February 2012 - 30
In Broadcast February 2012 - 31
In Broadcast February 2012 - 32
In Broadcast February 2012 - 33
In Broadcast February 2012 - Importance of Smooth Streaming
In Broadcast February 2012 - 35
In Broadcast February 2012 - 36
In Broadcast February 2012 - 37
In Broadcast February 2012 - 38
In Broadcast February 2012 - 39
In Broadcast February 2012 - Sony Vegas Pro 11 GPU Speed Boost
In Broadcast February 2012 - Trilogy Communications Celebrates 25 years
In Broadcast February 2012 - 42
In Broadcast February 2012 - 43
In Broadcast February 2012 - 44
In Broadcast February 2012 - 45
In Broadcast February 2012 - 46
In Broadcast February 2012 - 47
In Broadcast February 2012 - 48
In Broadcast February 2012 - CES 2012 Smarter Systems on Show
In Broadcast February 2012 - 50
In Broadcast February 2012 - 51
In Broadcast February 2012 - 52
In Broadcast February 2012 - 53
In Broadcast February 2012 - 54
In Broadcast February 2012 - Vitec Videocom CEO Joop Janssen has the Answers
In Broadcast February 2012 - Space Saving 3D System
In Broadcast February 2012 - 57
In Broadcast February 2012 - 58
In Broadcast February 2012 - 59
In Broadcast February 2012 - 60
In Broadcast February 2012 - 61
In Broadcast February 2012 - OpticamSWITCH Success at Swiss TV
In Broadcast February 2012 - 63
In Broadcast February 2012 - 64
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