In Broadcast February 2012 - 26


InFOCUS
Right Upfront – Camera Lenses And Accessories Cont.
different,” he says. “There will always be a demand for filters because the creative use of filters is usually best applied at the point of shooting where the director or crew know exactly what they are looking for. “Of course, another big factor is that people are beginning to realise how expensive it is to make small effects or adjustments in post which can very easily be made on set. In some cases, like the IR pollution issue, it is pretty near impossible to make the correction satisfactorily in post at all.” Last year Schneider also began shipping its new Platinum Series IRND filters, which limit the light that hits the camera’s sensor to the visible spectrum. Because the optimum cut-off frequency has been calculated, Schneider has produced a near-infrared cut filter that allows operators to get improved pictures out of HD cameras – extending the colour gamut, limiting unwanted colour shifts and producing deeper blacks. Dudley Darby comments that there are two schools of thought

RoscoView’s polarizer – window lighting control

26

surrounding this; one advocating doing everything in post, the other favouring in-camera processes. Darby is of the latter school, saying, “No matter how good the post work is, you can always see the difference but if something is done in picture, it is more natural.” A different spin on the traditional optical filter is the RoscoView, a two-part window control system

designed for both film and television work. It comprises a wide polarizing filter that is fitted on windows and a matching polarizing filter attached to the camera. The window filter comes as either acrylic panels or in soft roll form, while the camera end is made from optical glass. By rotating the camera optical the amount of cross polarization on the window filter

can be altered, allowing exterior brightness through the window to be controlled. The system was used to adjust lighting levels inside the Media Centre at last year’s Royal Wedding. All of which goes to show that while the camera might not be as important in itself as once thought, what goes on in and around it is still crucial.

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EF Full Exposure Control Terminal Modular Canon EF adaptor system with electronic aperture control One control unit, choice of 3 mounts for the F3, FS-100 and AF101 LCD clearly displays focal length and aperture for both primes and zooms Adjusts aperture in 1/8th stop increments Now also supports lens stabilisation

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Table of Contents for the Digital Edition of In Broadcast February 2012

In Broadcast - February 2012
Contents
Pictorvision Academy Award
The Ultimate Strategy to Win
Importance of Smooth Streaming
Sony Vegas Pro 11 GPU Speed Boost
Trilogy Communications Celebrates 25 years
CES 2012 Smarter Systems on Show
Vitec Videocom CEO Joop Janssen has the Answers
Space Saving 3D System
OpticamSWITCH Success at Swiss TV
In Broadcast February 2012 - 1
In Broadcast February 2012 - 2
In Broadcast February 2012 - Contents
In Broadcast February 2012 - Pictorvision Academy Award
In Broadcast February 2012 - 5
In Broadcast February 2012 - 6
In Broadcast February 2012 - 7
In Broadcast February 2012 - 8
In Broadcast February 2012 - 9
In Broadcast February 2012 - 10
In Broadcast February 2012 - 11
In Broadcast February 2012 - 12
In Broadcast February 2012 - 13
In Broadcast February 2012 - 14
In Broadcast February 2012 - 15
In Broadcast February 2012 - 16
In Broadcast February 2012 - 17
In Broadcast February 2012 - 18
In Broadcast February 2012 - 19
In Broadcast February 2012 - The Ultimate Strategy to Win
In Broadcast February 2012 - 21
In Broadcast February 2012 - 22
In Broadcast February 2012 - 23
In Broadcast February 2012 - 24
In Broadcast February 2012 - 25
In Broadcast February 2012 - 26
In Broadcast February 2012 - 27
In Broadcast February 2012 - 28
In Broadcast February 2012 - 29
In Broadcast February 2012 - 30
In Broadcast February 2012 - 31
In Broadcast February 2012 - 32
In Broadcast February 2012 - 33
In Broadcast February 2012 - Importance of Smooth Streaming
In Broadcast February 2012 - 35
In Broadcast February 2012 - 36
In Broadcast February 2012 - 37
In Broadcast February 2012 - 38
In Broadcast February 2012 - 39
In Broadcast February 2012 - Sony Vegas Pro 11 GPU Speed Boost
In Broadcast February 2012 - Trilogy Communications Celebrates 25 years
In Broadcast February 2012 - 42
In Broadcast February 2012 - 43
In Broadcast February 2012 - 44
In Broadcast February 2012 - 45
In Broadcast February 2012 - 46
In Broadcast February 2012 - 47
In Broadcast February 2012 - 48
In Broadcast February 2012 - CES 2012 Smarter Systems on Show
In Broadcast February 2012 - 50
In Broadcast February 2012 - 51
In Broadcast February 2012 - 52
In Broadcast February 2012 - 53
In Broadcast February 2012 - 54
In Broadcast February 2012 - Vitec Videocom CEO Joop Janssen has the Answers
In Broadcast February 2012 - Space Saving 3D System
In Broadcast February 2012 - 57
In Broadcast February 2012 - 58
In Broadcast February 2012 - 59
In Broadcast February 2012 - 60
In Broadcast February 2012 - 61
In Broadcast February 2012 - OpticamSWITCH Success at Swiss TV
In Broadcast February 2012 - 63
In Broadcast February 2012 - 64
In Broadcast February 2012 - 65
In Broadcast February 2012 - 66
In Broadcast February 2012 - 67
In Broadcast February 2012 - 68
In Broadcast February 2012 - 69
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201609
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201601
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201511
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