In Broadcast - October/November 2011 - 84

WWW.INBROADCAST.COM | OCTOBER/NOVEMBER 2011

InFORM wTVision Shows Broadcast Graphics Solutions At IBC
wTVision was present, once again, in IBC to showcase its real-time broadcast graphics solutions and playout automation systems. The exhibit focused on the iPad integration as a Human Interaction Technology and User Interface (HITUI) to remotely control broadcast graphics, a 3D stereoscopic showreel and sports turn-key products such as football, surf and motorsports. wTVision’s booth had several stations where the company’s products were displayed. The main themes covered were sports, elections, studio programs and playout automation. The elections station gave visitors an insight about the new interactive technologies integrated by wTVision such as iPads, serving as a mobile device to control on-air graphics. Some electoral applications developed entirely by wTVision were also featured at the stand. The sports station featured a stereoscopic 3D broadcast graphics presentation and the SportStats CG software, which includes a data scouting system and on-air graphics playout controller, creating real-time on-air graphics for several sports.

wTVision’s automation and playout system – Channel Maker

Presentations described the full range of functionalities available with Channel Maker, a flexible automation and playout system designed to manage 24/7 TV channels. This software may include a powerful advertising management tool to automate

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Real-time on-air graphics data from wTVision’s SportsStats CG system

advertising insertion on existing channels. Studio CG, wTVision’s most recent product, is the tool to manage, edit and control studio shows and newscasts on-air graphics. The Studio station will show the software operating a studio program with its simple interface while playing a complete library of editable SD/HD graphic templates specially designed for news, sports, financial and entertainment programs. wTVision provides on-air graphics solutions in 25 countries, supporting 4,000 live broadcasts a year. The company’s develop projects for sports, elections, playout automation systems, entertainment, studio programs and virtual solutions, working closely with broadcasters, TV channels and production companies to assure the best result possible.

farmerswife Is All Work And Play At IBC
Farmerswife returned to IBC this year with tools for their Scheduling and Facility Management system and released the brand new farmerswife Play media collaboration product. The key message for the company at IBC was expanding on its established technology to deliver a unique solution providing a totally integrated scheduling, facility management and now media collaboration workflow. The new farmerswife v4.11 boasts a strong set of new performance enhancement and features that builds further on this already well established and market leading solution. One reason for the company‘s recent significant success in capturing new clients has been the development to increase the capabilities of our mobile platforms to give access to the farmerswife server from any location or platform. This has enabled the company implement a growing number of multi site installations with different geographical locations accessing data and media stored back at a single server location. farmerswife has also become increasingly more customisable and scalable allowing them to service smaller clients and start ups who are looking for a low cost way of running their business. Extensive work has also gone into integration with third party software. farmerswife understands connectivity is important for their clients who already have a wide range of existing accounting and database systems in place. Experience gathered over many years in implementing workflows at a wide range of client types mean the Professional Services team can now easily connect farmerswife into workflows that use Navision, SAP, Sage, M.Y.O.B, Quickbooks and DATEV, and other packages. Since its creation in Stockholm

Sweden 11 years ago, farmerswife has now entered the next expansion phase by building on its offices in LA and Palma Mallorca and increasing its core development team in Stockholm as well as the addition of UK Support and Training personnel in the UK. Scheduling and facility management systems from “farmerswife farmerswife Play have constantly developed our advertising and production clients established toolset to provide for Media Storage, Management, a uniquely integrated suite for Review and Collaboration. management of schedules, A client can now login into a projects, resources, personnel, central web portal and review contacts, budgets, financials, their media that is stored at ANY media, reports and analysis,” said of their post production partners. Mads Linden, farmerswife CEO and The beauty of this is that the media Founder. “To build further on our never leaves the post house but clients needs we are very excited instead is streamed on the fly to to have completed development of the portal when demanded by the our new play Media Collaboration client. Up to now the only solution option.” to this problem has been to move Play was designed to help simplify media to a central cloud based the creative workflow by enabling offsite archive which takes it further post production companies away from the creative process. to provide a service to their


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In Broadcast - October/November 2011

Table of Contents for the Digital Edition of In Broadcast - October/November 2011

In Broadcast - October/November 2011
Contents
3Ality Digital Acquire Element Technica
RTL Choses Quantel
Studios In Production
MAM Questions Answered
Changing Faces of Post Production
Microphones In Action
New Developments in Audio for Television
Routers and Switchers
Loudness Measuring in Workflows
In Broadcast - October/November 2011 - In Broadcast - October/November 2011
In Broadcast - October/November 2011 - 2
In Broadcast - October/November 2011 - Contents
In Broadcast - October/November 2011 - 3Ality Digital Acquire Element Technica
In Broadcast - October/November 2011 - 5
In Broadcast - October/November 2011 - 6
In Broadcast - October/November 2011 - 7
In Broadcast - October/November 2011 - 8
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In Broadcast - October/November 2011 - 16
In Broadcast - October/November 2011 - 17
In Broadcast - October/November 2011 - 18
In Broadcast - October/November 2011 - 19
In Broadcast - October/November 2011 - RTL Choses Quantel
In Broadcast - October/November 2011 - 21
In Broadcast - October/November 2011 - 22
In Broadcast - October/November 2011 - 23
In Broadcast - October/November 2011 - Studios In Production
In Broadcast - October/November 2011 - 25
In Broadcast - October/November 2011 - 26
In Broadcast - October/November 2011 - 27
In Broadcast - October/November 2011 - 28
In Broadcast - October/November 2011 - 29
In Broadcast - October/November 2011 - 30
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In Broadcast - October/November 2011 - 46
In Broadcast - October/November 2011 - 47
In Broadcast - October/November 2011 - MAM Questions Answered
In Broadcast - October/November 2011 - 49
In Broadcast - October/November 2011 - Changing Faces of Post Production
In Broadcast - October/November 2011 - 51
In Broadcast - October/November 2011 - Microphones In Action
In Broadcast - October/November 2011 - 53
In Broadcast - October/November 2011 - 54
In Broadcast - October/November 2011 - 55
In Broadcast - October/November 2011 - 56
In Broadcast - October/November 2011 - 57
In Broadcast - October/November 2011 - 58
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In Broadcast - October/November 2011 - 60
In Broadcast - October/November 2011 - 61
In Broadcast - October/November 2011 - 62
In Broadcast - October/November 2011 - 63
In Broadcast - October/November 2011 - New Developments in Audio for Television
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In Broadcast - October/November 2011 - 68
In Broadcast - October/November 2011 - 69
In Broadcast - October/November 2011 - 70
In Broadcast - October/November 2011 - 71
In Broadcast - October/November 2011 - Routers and Switchers
In Broadcast - October/November 2011 - 73
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In Broadcast - October/November 2011 - 80
In Broadcast - October/November 2011 - Loudness Measuring in Workflows
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