In Broadcast - October/November 2011 - 76


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InTECH
On An Ever More Demanding Path – Routers And Switchers Cont.
To help its customers reduce costs, Miranda offers highly integrated products like the NVISION 8500 Hybrid router which combines a video router, an audio router, as well as disembedders and embedders, and supports MADI too. “This integration lowers costs in comparison to discrete components, simplifies maintenance, and uses less space and power, while still providing the best engineered and most advanced router technology on the market,” says Sharpe. itself. PESA says its objective is to create the most flexible way of configuring a routing system while maintaining cost efficiency. “With our new easySFP option cards it’s now a breeze to configure individual routing switcher I/O ports to specific needs,” reckons Holland. “With traditional router I/O cards, each bank of plug-in cards has to be dedicated to either a full set of fiber optic connections or coaxial connections. With easySFP, users can now customise each input and output port in groups of 2X2 to the desired cabling requirements.” Gefen’s new HDMI v1.3 switchers have recently been upgraded to include Fast Switching Technology, a new software implementation that eliminates delays due to HDCP handshaking. According to Gefen it improves inherited HDCP handshaking based on HDMI specifications, and also improves overall system performance when more than one HDTV display is used in the system, making it ideal for digital signage. Over at Snell, Rouse is excited about its ongoing development of the Kahuna 360. “By this, we mean Kahuna 360 does not compromise on any functionality in order to handle 1080p,” he says. “Other standout new features of the Kahuna 360 include the ability to auto-sense incoming signals as SD/HD/1080p; greater flexibility for sharing resources than ever before

Gefen 4x4 HDMI Matrix

Latest Developments
For many of Grass Valley’s customers, IBC provided their first look at the integrated Trinix NXT multiviewer. The multiviewer can create sophisticated displays while eliminating external hardware and cabling. “It is much more efficient than alternative solutions in terms of footprint, power consumption, and operational requirements,” claims Murray. Utah Scientific’s main IBC focus was on two major additions to its router range; an integrated multiviewer solution that coupled a best-of-breed multi-view image processor to its router with what has been termed a “unique electrical interconnect and control system integration features,” and a full-range internal audio processing solution for video routers that provides full management of embedded audio inside the router

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(through our exclusive Make M/E technology); and the ability to allocate outputs and formats as well as branding capabilities. And the best part is that all of this is shipping now.” Sony’s latest product developments were showcased at NAB, when it launched the MVS7000X series processor and entry level MCS-8M. IBC also saw it displaying improvements in image processing with the MPE-200. This multi-format picture processor now has a suite of software packages available for 3D production, 3D quality control, 3D conversion, camera picture stitching and together with a switcher processor a picture effects option for the MVS series. Nevion’s IBC focus was on integrating the routing switcher into its IP video transport ecosystem. “Nevion’s VideoIPath management software is the tool that enables operators to administrate complex transport networks in a very intuitive fashion,” explains Thomas Heinzer, CTO Broadcast Technology, Nevion. “Adding support for VikinX routers will make it easier to build meshed video networks where dynamic switching capabilities

are an important network design factor.” IBC saw the full range of Blackmagic Design’s new ATEM Production Switchers on display. In the last year, Blackmagic Design made significant investment in the development and manufacture of high quality production switchers with new features, smaller size, lower cost and the ability for users to customise their solution for their needs and budget. The switchers have SDI and HDMI inputs enabling entry into the live production market quite easily and creation of work at a professional level. Another shift is in the way that Blackmagic have decoupled the switcher from the control panel. While not unique to have two parts – panel and switcher – what is unique is that the software control panel is free. Users only have to purchase the production switcher and so again, the barrier to enter the live production market is lowered. The number and type of inputs and outputs; this is the number one criteria because the switcher has to fit into an environment with
CONTINUED ON PAGE 77

Blackmagic Design’s ATEM Production Switcher


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In Broadcast - October/November 2011

Table of Contents for the Digital Edition of In Broadcast - October/November 2011

In Broadcast - October/November 2011
Contents
3Ality Digital Acquire Element Technica
RTL Choses Quantel
Studios In Production
MAM Questions Answered
Changing Faces of Post Production
Microphones In Action
New Developments in Audio for Television
Routers and Switchers
Loudness Measuring in Workflows
In Broadcast - October/November 2011 - In Broadcast - October/November 2011
In Broadcast - October/November 2011 - 2
In Broadcast - October/November 2011 - Contents
In Broadcast - October/November 2011 - 3Ality Digital Acquire Element Technica
In Broadcast - October/November 2011 - 5
In Broadcast - October/November 2011 - 6
In Broadcast - October/November 2011 - 7
In Broadcast - October/November 2011 - 8
In Broadcast - October/November 2011 - 9
In Broadcast - October/November 2011 - 10
In Broadcast - October/November 2011 - 11
In Broadcast - October/November 2011 - 12
In Broadcast - October/November 2011 - 13
In Broadcast - October/November 2011 - 14
In Broadcast - October/November 2011 - 15
In Broadcast - October/November 2011 - 16
In Broadcast - October/November 2011 - 17
In Broadcast - October/November 2011 - 18
In Broadcast - October/November 2011 - 19
In Broadcast - October/November 2011 - RTL Choses Quantel
In Broadcast - October/November 2011 - 21
In Broadcast - October/November 2011 - 22
In Broadcast - October/November 2011 - 23
In Broadcast - October/November 2011 - Studios In Production
In Broadcast - October/November 2011 - 25
In Broadcast - October/November 2011 - 26
In Broadcast - October/November 2011 - 27
In Broadcast - October/November 2011 - 28
In Broadcast - October/November 2011 - 29
In Broadcast - October/November 2011 - 30
In Broadcast - October/November 2011 - 31
In Broadcast - October/November 2011 - 32
In Broadcast - October/November 2011 - 33
In Broadcast - October/November 2011 - 34
In Broadcast - October/November 2011 - 35
In Broadcast - October/November 2011 - 36
In Broadcast - October/November 2011 - 37
In Broadcast - October/November 2011 - 38
In Broadcast - October/November 2011 - 39
In Broadcast - October/November 2011 - 40
In Broadcast - October/November 2011 - 41
In Broadcast - October/November 2011 - 42
In Broadcast - October/November 2011 - 43
In Broadcast - October/November 2011 - 44
In Broadcast - October/November 2011 - 45
In Broadcast - October/November 2011 - 46
In Broadcast - October/November 2011 - 47
In Broadcast - October/November 2011 - MAM Questions Answered
In Broadcast - October/November 2011 - 49
In Broadcast - October/November 2011 - Changing Faces of Post Production
In Broadcast - October/November 2011 - 51
In Broadcast - October/November 2011 - Microphones In Action
In Broadcast - October/November 2011 - 53
In Broadcast - October/November 2011 - 54
In Broadcast - October/November 2011 - 55
In Broadcast - October/November 2011 - 56
In Broadcast - October/November 2011 - 57
In Broadcast - October/November 2011 - 58
In Broadcast - October/November 2011 - 59
In Broadcast - October/November 2011 - 60
In Broadcast - October/November 2011 - 61
In Broadcast - October/November 2011 - 62
In Broadcast - October/November 2011 - 63
In Broadcast - October/November 2011 - New Developments in Audio for Television
In Broadcast - October/November 2011 - 65
In Broadcast - October/November 2011 - 66
In Broadcast - October/November 2011 - 67
In Broadcast - October/November 2011 - 68
In Broadcast - October/November 2011 - 69
In Broadcast - October/November 2011 - 70
In Broadcast - October/November 2011 - 71
In Broadcast - October/November 2011 - Routers and Switchers
In Broadcast - October/November 2011 - 73
In Broadcast - October/November 2011 - 74
In Broadcast - October/November 2011 - 75
In Broadcast - October/November 2011 - 76
In Broadcast - October/November 2011 - 77
In Broadcast - October/November 2011 - 78
In Broadcast - October/November 2011 - 79
In Broadcast - October/November 2011 - 80
In Broadcast - October/November 2011 - Loudness Measuring in Workflows
In Broadcast - October/November 2011 - 82
In Broadcast - October/November 2011 - 83
In Broadcast - October/November 2011 - 84
In Broadcast - October/November 2011 - 85
In Broadcast - October/November 2011 - 86
In Broadcast - October/November 2011 - 87
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In Broadcast - October/November 2011 - 90
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