In Broadcast - October/November 2011 - 18

WWW.INBROADCAST.COM | OCTOBER/NOVEMBER 2011

InNEWS

LEX Adds S3D
Chyron demonstrated its LEX3.1 graphics system at IBC. The newest release of the company’s on-air graphics system, has been refined to provide free support for stereoscopic 3D. The LEX3.1 (pictured) boasts a seamless workflow from graphic creation to playout; real-time 2D/3D animation; and a host of hardware and software features including 2D and 3D object import, advanced text and image effects, clip playout, and Chyron’s Intelligent Interface® and DB Link update. In fast-paced live coverage, the LEX3.1 system’s template-based text and graphics enable instant updates from data feeds.

Harnessing The Full Potential Of The Mobile Viewer
UNITY Mobile, a provider of a powerful enterprise-grade mobile services platform, made its first appearance at IBC this year, demonstrating its innovative cloudbased solution for optimised mobile website creation, management and mobile video delivery. UNITY Mobile is revolutionising the way that businesses connect to the entire mobile ecosystem, providing a mobile-friendly web presence with interactive marketing tools to harness the immense potential of audiences on-the-go. “Audiences are going mobile,” says Thomas Wittig, CEO UNITY Mobile. “The shift is so prolific that it is estimated that more than three billion mobile users can now access the web, stream news and catch-up TV via connected devices. We believe that it’s simply irresponsible to ignore the demand for mobile-viewable content: Mobile is central to maintaining and attracting new audiences. The good news is that the delivery infrastructure has already been established by mobile operators, so broadcasters can add mobile services with minimal investment and minimal risk.” Deployed by clients worldwide including AT&T, Parallels and Hostopia, UNITY Mobile’s cloudbased platform offers end-to-end publishing, marketing and content delivery optimised for any mobile device, network or operating by adding real value in real-time – whether the viewer is mobile or at home in front of the TV set.” QR Codes (2D barcodes which can be scanned by smartphones) are fast becoming an integral part of traditional and digital media campaigns, allowing businesses to directly connect with potential customers. As broadcasters and content owners look for new ways to reach an increasingly tech savvy audience and monetise their content, the use of QR codes on TV screens is growing in popularity as a means to enhance brand loyalty, deliver effective teleshopping-mcommerce and analyse viewer behaviour. Dan Konecny, Business Development Manager at UNITY Mobile says: “A recent Nielsen report found that 86% of mobile internet users (and 92% of 13 to 24 year olds) use their devices simultaneously with TV. A quarter of them say they are browsing content related to what they are watching. That’s a compelling opportunity for broadcasters and content providers to complement the TV viewing experience on the mobile platform. QR codes take a live programme that has no interaction, to a programme with all the social media and analytics tied into it, giving you feedback, ‘likes’, and user locations, which is going to be a goldmine for advertising relationships and cross selling.“

Sencore BPE
Sencore has signed a partnership and reseller agreement with BPE Electronic, a major Ecuadorian distributor of broadcast equipment. “As Sencore’s first representative in Ecuador, our new partnership means we can now offer topof-the-line receiver/decoders, transcoders, modulators, and test and measurement equipment to our customers,” said Xavier Flores, broadcast products sales manager, BPE Electronic. “As broadcasters in our country continue to make the transition to digital operations, we see nothing but a steady increase in demand for these products.” BPE Electronic will be the exclusive reseller in Ecuador of Sencore’s broadcast and transmission, test and measurement, and Hamlet® monitoring and signal analysis equipment.

UNITY Mobile CEO Thomas Wittig

18

system. It is the ideal solution for broadcasters looking for a robust cost-effective mobile delivery tool; helping them maintain their brand integrity and manage, interact with and analyse their subscriber base. As this scalable platform is easily deployed and seamlessly integrated into existing web, business processes and broadcast workflows, it is attractive both to broadcasters and technology providers looking to enhance legacy systems. “The key to a successful TVMobile strategy rests both on the quality of delivery and real audience engagement,” Wittig continues. “Our platform ensures that content is optimised for the mobile viewer and through interactive marketing tools such as mobile applications and Quick Response (QR) codes, enhances the viewing experience

“ We enjoyed our time at Pinewood and got on very well with the Pinewood TV team. The studio was a great size for Got To Dance and there was plenty of space to house all our acts and talent on site.”
Sarah Buckenham, Director of Production, Princess Productions
PINEWOOD STUDIOS GROUP PINEWOOD • SHEPPERTON • TEDDINGTON +44 (0)1753 651700 www.pinewoodgroup.com

Got To Dance © Sky 1/HD


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In Broadcast - October/November 2011

Table of Contents for the Digital Edition of In Broadcast - October/November 2011

In Broadcast - October/November 2011
Contents
3Ality Digital Acquire Element Technica
RTL Choses Quantel
Studios In Production
MAM Questions Answered
Changing Faces of Post Production
Microphones In Action
New Developments in Audio for Television
Routers and Switchers
Loudness Measuring in Workflows
In Broadcast - October/November 2011 - In Broadcast - October/November 2011
In Broadcast - October/November 2011 - 2
In Broadcast - October/November 2011 - Contents
In Broadcast - October/November 2011 - 3Ality Digital Acquire Element Technica
In Broadcast - October/November 2011 - 5
In Broadcast - October/November 2011 - 6
In Broadcast - October/November 2011 - 7
In Broadcast - October/November 2011 - 8
In Broadcast - October/November 2011 - 9
In Broadcast - October/November 2011 - 10
In Broadcast - October/November 2011 - 11
In Broadcast - October/November 2011 - 12
In Broadcast - October/November 2011 - 13
In Broadcast - October/November 2011 - 14
In Broadcast - October/November 2011 - 15
In Broadcast - October/November 2011 - 16
In Broadcast - October/November 2011 - 17
In Broadcast - October/November 2011 - 18
In Broadcast - October/November 2011 - 19
In Broadcast - October/November 2011 - RTL Choses Quantel
In Broadcast - October/November 2011 - 21
In Broadcast - October/November 2011 - 22
In Broadcast - October/November 2011 - 23
In Broadcast - October/November 2011 - Studios In Production
In Broadcast - October/November 2011 - 25
In Broadcast - October/November 2011 - 26
In Broadcast - October/November 2011 - 27
In Broadcast - October/November 2011 - 28
In Broadcast - October/November 2011 - 29
In Broadcast - October/November 2011 - 30
In Broadcast - October/November 2011 - 31
In Broadcast - October/November 2011 - 32
In Broadcast - October/November 2011 - 33
In Broadcast - October/November 2011 - 34
In Broadcast - October/November 2011 - 35
In Broadcast - October/November 2011 - 36
In Broadcast - October/November 2011 - 37
In Broadcast - October/November 2011 - 38
In Broadcast - October/November 2011 - 39
In Broadcast - October/November 2011 - 40
In Broadcast - October/November 2011 - 41
In Broadcast - October/November 2011 - 42
In Broadcast - October/November 2011 - 43
In Broadcast - October/November 2011 - 44
In Broadcast - October/November 2011 - 45
In Broadcast - October/November 2011 - 46
In Broadcast - October/November 2011 - 47
In Broadcast - October/November 2011 - MAM Questions Answered
In Broadcast - October/November 2011 - 49
In Broadcast - October/November 2011 - Changing Faces of Post Production
In Broadcast - October/November 2011 - 51
In Broadcast - October/November 2011 - Microphones In Action
In Broadcast - October/November 2011 - 53
In Broadcast - October/November 2011 - 54
In Broadcast - October/November 2011 - 55
In Broadcast - October/November 2011 - 56
In Broadcast - October/November 2011 - 57
In Broadcast - October/November 2011 - 58
In Broadcast - October/November 2011 - 59
In Broadcast - October/November 2011 - 60
In Broadcast - October/November 2011 - 61
In Broadcast - October/November 2011 - 62
In Broadcast - October/November 2011 - 63
In Broadcast - October/November 2011 - New Developments in Audio for Television
In Broadcast - October/November 2011 - 65
In Broadcast - October/November 2011 - 66
In Broadcast - October/November 2011 - 67
In Broadcast - October/November 2011 - 68
In Broadcast - October/November 2011 - 69
In Broadcast - October/November 2011 - 70
In Broadcast - October/November 2011 - 71
In Broadcast - October/November 2011 - Routers and Switchers
In Broadcast - October/November 2011 - 73
In Broadcast - October/November 2011 - 74
In Broadcast - October/November 2011 - 75
In Broadcast - October/November 2011 - 76
In Broadcast - October/November 2011 - 77
In Broadcast - October/November 2011 - 78
In Broadcast - October/November 2011 - 79
In Broadcast - October/November 2011 - 80
In Broadcast - October/November 2011 - Loudness Measuring in Workflows
In Broadcast - October/November 2011 - 82
In Broadcast - October/November 2011 - 83
In Broadcast - October/November 2011 - 84
In Broadcast - October/November 2011 - 85
In Broadcast - October/November 2011 - 86
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In Broadcast - October/November 2011 - 90
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2018
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