In Broadcast - October/November 2011 - 14


WWW.INBROADCAST.COM | OCTOBER/NOVEMBER 2011

InNEWS

IPTV Audio
DTS showcased its highperformance audio technology across IPTV broadcast services for the first time at IBC 2011. Attendees experienced DTS highquality sound emitted over myriad broadcast networks that leverage recent developments with DTS partners: Ateme, Ericsson, Free, Intel and ST Microelectronics. Ted Laverty, Business Development Director at DTS, said: “Audiences expect that high-definition picture will be accompanied by high-definition sound, and DTS forged strategic industry partnerships to deliver exciting and satisfying sound quality to the market across four screens – television, computer, car and mobile device.” DTS highlighted how IPTV content can offer a full audio experience.
DTS extends to IPTV audio

Sachtler’s Shooting Ace
Sachtler’s Ace tripod system offers camera support for the growing market of videographers and DSLR filmmakers. With a payload of up to 4 kilograms (8.8 pounds), Ace is ideal for smaller HDV camcorders and video-enabled DSLR cameras. Ace is also compact and durable and thanks to a special composite material, it is extremely lightweight. As with all Sachtler products, it is ergonomically designed and offers an intuitive feel. For Ace, the completely new patented drag, SA dragTM (Synchronised Actuated Drag), was developed which guarantees the familiar accuracy and repeatability at an astonishing price/performance ratio. Sachtler says they are “finally offering a genuine broadcast feel for every videographer”. For the first time, the Ace tripod system offers those who shoot low-budget documentaries / ENG, industrials, wedding / event, training videos and webinars Sachtler’s quality and dependability for professional work. With three vertical and three horizontal grades of drag (+0), the new patented SA drag enables fine adjustment for precise panning and tilting. With its 5-step counterbalance that makes fast counterbalancing of the camera set-up very simple. The new fluid head has a tilt range of +90° to -75°.
Sachtler Ace – aimed at low-budget shoots

Blackmagic Design Ship UltraStudio 3D Saudi Score
14
Blackmagic Design has announced UltraStudio 3D which allows portable capture and playback with full resolution dual stream 3D support, 10 bit hardware architecture, dual link 3 Gb/s SDI, support for up to 1080p60 in SDI and component analogue and HDMI 1.4a connections, as well as full SD, HD and 2K support, is now shipping. UltraStudio 3D is a compact and portable solution that uses the new Thunderbolt™ interface for dual link 3 Gb/s SDI, HDMI 1.4a and analogue component/s-video/ composite, as well as balanced analogue and AES/EBU digital audio capture and playback. UltraStudio 3D is perfect for 3D workflows as it features interleaved, side-by-side, frame packed and dual stream capture and playback. and analogue video capture Dual stream 3D allows customers and playback, combined with to use the UltraStudio 3D dual link balanced analogue and AES/EBU SDI connections to capture and digital audio, UltraStudio 3D lets play back two streams, one for customers connect to all decks, the left eye and one for the right cameras and monitors. eye. The two streams are recorded UltraStudio 3D instantly into two separate media files. switches between SD, HD and 2K, Dual stream 3D is higher quality so is the ideal solution for all post because each eye is full resolution production and broadcast users video, but dual stream is less when working on design, editing, compatible with current editing paint and effects tasks. software. To solve this problem, Blackmagic Design’s Media Express 3 has been upgraded to handle both interleaved and dual stream 3D for capture and playback of 3D media for a complete 3D solution. Blackmagic Design’s UltraStudio 3D With SDI, HDMI Arab satellite communications organisation Arabsat has announced that all necessary technical and logistics requirements for the global distribution of the Saudi League matches in Europe and the US have been finalised. Arabsat recently signed agreements to distribute the Saudi League matches on the European Hot Bird satellite and a dedicated TV channel has been assigned for this purpose to enable the Saudi community in Europe and all those interested in the matches, to receive the signal. This channel will be supporting six newly launched sports channels on Arabsat satellite Badr 4, which covers large parts of Europe.


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Table of Contents for the Digital Edition of In Broadcast - October/November 2011

In Broadcast - October/November 2011
Contents
3Ality Digital Acquire Element Technica
RTL Choses Quantel
Studios In Production
MAM Questions Answered
Changing Faces of Post Production
Microphones In Action
New Developments in Audio for Television
Routers and Switchers
Loudness Measuring in Workflows
In Broadcast - October/November 2011 - In Broadcast - October/November 2011
In Broadcast - October/November 2011 - 2
In Broadcast - October/November 2011 - Contents
In Broadcast - October/November 2011 - 3Ality Digital Acquire Element Technica
In Broadcast - October/November 2011 - 5
In Broadcast - October/November 2011 - 6
In Broadcast - October/November 2011 - 7
In Broadcast - October/November 2011 - 8
In Broadcast - October/November 2011 - 9
In Broadcast - October/November 2011 - 10
In Broadcast - October/November 2011 - 11
In Broadcast - October/November 2011 - 12
In Broadcast - October/November 2011 - 13
In Broadcast - October/November 2011 - 14
In Broadcast - October/November 2011 - 15
In Broadcast - October/November 2011 - 16
In Broadcast - October/November 2011 - 17
In Broadcast - October/November 2011 - 18
In Broadcast - October/November 2011 - 19
In Broadcast - October/November 2011 - RTL Choses Quantel
In Broadcast - October/November 2011 - 21
In Broadcast - October/November 2011 - 22
In Broadcast - October/November 2011 - 23
In Broadcast - October/November 2011 - Studios In Production
In Broadcast - October/November 2011 - 25
In Broadcast - October/November 2011 - 26
In Broadcast - October/November 2011 - 27
In Broadcast - October/November 2011 - 28
In Broadcast - October/November 2011 - 29
In Broadcast - October/November 2011 - 30
In Broadcast - October/November 2011 - 31
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In Broadcast - October/November 2011 - 41
In Broadcast - October/November 2011 - 42
In Broadcast - October/November 2011 - 43
In Broadcast - October/November 2011 - 44
In Broadcast - October/November 2011 - 45
In Broadcast - October/November 2011 - 46
In Broadcast - October/November 2011 - 47
In Broadcast - October/November 2011 - MAM Questions Answered
In Broadcast - October/November 2011 - 49
In Broadcast - October/November 2011 - Changing Faces of Post Production
In Broadcast - October/November 2011 - 51
In Broadcast - October/November 2011 - Microphones In Action
In Broadcast - October/November 2011 - 53
In Broadcast - October/November 2011 - 54
In Broadcast - October/November 2011 - 55
In Broadcast - October/November 2011 - 56
In Broadcast - October/November 2011 - 57
In Broadcast - October/November 2011 - 58
In Broadcast - October/November 2011 - 59
In Broadcast - October/November 2011 - 60
In Broadcast - October/November 2011 - 61
In Broadcast - October/November 2011 - 62
In Broadcast - October/November 2011 - 63
In Broadcast - October/November 2011 - New Developments in Audio for Television
In Broadcast - October/November 2011 - 65
In Broadcast - October/November 2011 - 66
In Broadcast - October/November 2011 - 67
In Broadcast - October/November 2011 - 68
In Broadcast - October/November 2011 - 69
In Broadcast - October/November 2011 - 70
In Broadcast - October/November 2011 - 71
In Broadcast - October/November 2011 - Routers and Switchers
In Broadcast - October/November 2011 - 73
In Broadcast - October/November 2011 - 74
In Broadcast - October/November 2011 - 75
In Broadcast - October/November 2011 - 76
In Broadcast - October/November 2011 - 77
In Broadcast - October/November 2011 - 78
In Broadcast - October/November 2011 - 79
In Broadcast - October/November 2011 - 80
In Broadcast - October/November 2011 - Loudness Measuring in Workflows
In Broadcast - October/November 2011 - 82
In Broadcast - October/November 2011 - 83
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