In Broadcast - July/August 2011 - 52


52

Broadcast Content Management And Automation Cont.
will support LTFS and enable true interoperability between formerly disparate systems. This approach allows content to be acquired to disk on location, dragged and dropped to data tape and then the tape transported back to a facility, removing the need to re-ingest content to the archive. An LTO-5 tape can accommodate 1.6 terabytes.
Tedial’s TARYS

rule control. Ficus also helps to manage the overall operation by showing potential bottlenecks and resource issues.

can satisfy all programming demands throughout the transition from SD to HD operations. Multiple inputs into ICE allow external advanced graphics to be mixed with live signals from remote sites while inserting specialised graphics, such as scoreboard tickers and RSS feeds. ICE supports audio track-tagging strategies from various manufacturers to facilitate the broadcast of different languages on each HD/SDI audio pair. These pairs can then be rearranged for playing out to different audiences without the need to rewrap the file. Software Generation Limited has implemented the Linear Tape File System (LTFS) into its range of content archive and storage management software. Specific LTO-5 and all future LTO tape formats

Tedial’s Tarsys media asset management system allows the storage of different formats in high and low resolution associated to the same clip. It uses object-relational database management to permit the creation of dedicated database models for special events or areas of an organisation. The companion Tedial AST hierarchical storage management system keeps content required by the MAM, traffic and automation systems in disk storage according to a user-definable lookahead. It then prioritises retrieval of archived files. Tedial’s Media Process Manager operates as a middle layer integrating third-party devices such as video servers, playout automation, subtitlers ad quality checkers. Tedial Ficus allows the definition, tracking and execution of workflows involving media assets by systemising the productive processes under business

Telestream has introduced Vantage Enterprise system management products, the first major development to evolve from the company’s recent acquisition of Anystream. Vantage workflow products unify Pilat Media’s TrafficCentral video capture, transcoding, analysis, metadata processing, capabilities. Capabilities include the delivery and notification into a single ability to control any number of video framework. Vantage Enterprise appliances remotely while centralising Control is a workflow management and automating basic tasks such layer and group of tools. Vantage as start/stop encoding, assigning Array allows Vantage products encoding profiles, and recording live to be integrated; features include feeds. An event planning guide allows customisable load-balancing and fully easy creation of a programming redundant failover of all systems and schedule. This is supported by a services. web-based calendar to schedule, capture and deliver live video events ViewCast’s new VMp Live software to viewers anywhere on a private module offers users of Niagara network or the public Internet.

streaming devices a means of automating, scheduling and delivering live events via the Web. It can be used stand-alone or combined with VMp Portal and Production modules for broader media management

Optimising Content Management Systems
By Christophe Carniel, NETIA CEO & President

The convergence of the media industry has changed not only business models, bringing broadcasters and telecommunications companies onto the same playing field, but also the way in which content is produced and delivered to consumers. Sharing the common goal of maximising revenues through multiplatform content delivery models, today’s media companies are expanding their offerings to include TV channels, video-on-demand (VoD) services, access via Internet platforms, and mobile services. Despite the fact that broadcasters and telcos began by offering very distinct

and different services, they both now are leveraging the flexibility of tapeless workflows and sophisticated media asset management technologies to capitalize on the new platforms available today and to give consumers access to content anywhere and anytime under a single brand. In embracing similar objectives in terms of distributing and monetizing content across multiple platforms, these media companies share common challenges in managing that content. Multiplatform media delivery demands that media companies establish an effective and efficient means of accessing, managing,

archiving, and repurposing content. The viability of such a solution depends greatly on the use of a single central workflow rather than discrete parallel workflows. Elimination of duplicate processes and storage saves both time and money while simplifying overall operations. The effectiveness of the workflow depends on its agility in allowing users to receive and store content, handle metadata, and process or transform media in a highly automated manner. NETIA’s portfolio of media asset management products address this need, simplifying audio and video content life cycle management and preparation for multiplatform delivery models. Engineered to help users control growing volumes of media in multiple formats, the company’s ingest-to-delivery content management solutions enable media companies to consolidate and then manage and monitor production and delivery of content for television, the Internet, telephony, and mobile platforms. Implemented by telcos, broadcasters and other media organizations, the NETIA content management system (CMS) interfaces with ingest, production, automation, and storage applications to streamline automatic acquisition of high-resolution media and associated metadata from sources such as post houses, production facilities, and traditional TV and

radio broadcasters. By enriching media with supplemental metadata, the NETIA CMS facilitates fast yet comprehensive searches and, in turn, enables users to access stored content more effectively. Tools within the CMS facilitate preparation of content for delivery by performing metadata extraction, transcoding, quality checking, image processing, and subtitle management. In order to streamline content delivery itself, the CMS also supports content packaging, metadata tagging, and rights management, with workflow-supervision guiding these highly automated processes. In addition to providing sophisticated media management capabilities, the NETIA CMS gives users an intuitive, personalized GUI through which they can access and manipulate media. With tools and features organized in a modular manner, the CMS can be configured to offer each user a simple screen optimized for his or her role within the workflow. In automating key processes and interactions, the CMS reduces the costs of overall media management. With a flexible structure for managing multiplatform media and its delivery, the CMS gives media companies the foundation necessary to expand their businesses and take advantage of new revenue-generation opportunities without compromising the quality of the content they deliver.


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Table of Contents for the Digital Edition of In Broadcast - July/August 2011

In Broadcast - July/August 2011
Contents
Whats New in Our Global Village
iPad The Game Changer
Outside Broadcasters Feel the Pinch
Innovative Camera Supports - Beyond the Tripod
IP-Based Remote Television Studio Control
Trilogy's Gemini - Pioneering the Use of IP in Broadcast Intercom
The Ears Have It: The Drive for Better Sounding Mobile Content
IBC Sneak Peak
Monitoring Systems For Today's Digital, Multiplatform Era
New Developments in Broadcast Test and Measurement
In Broadcast - July/August 2011 - Intro
In Broadcast - July/August 2011 - In Broadcast - July/August 2011
In Broadcast - July/August 2011 - Cover2
In Broadcast - July/August 2011 - Contents
In Broadcast - July/August 2011 - Whats New in Our Global Village
In Broadcast - July/August 2011 - 5
In Broadcast - July/August 2011 - 6
In Broadcast - July/August 2011 - 7
In Broadcast - July/August 2011 - 8
In Broadcast - July/August 2011 - 9
In Broadcast - July/August 2011 - 10
In Broadcast - July/August 2011 - 11
In Broadcast - July/August 2011 - 12
In Broadcast - July/August 2011 - 13
In Broadcast - July/August 2011 - 14
In Broadcast - July/August 2011 - 15
In Broadcast - July/August 2011 - 16
In Broadcast - July/August 2011 - 17
In Broadcast - July/August 2011 - iPad The Game Changer
In Broadcast - July/August 2011 - 19
In Broadcast - July/August 2011 - 20
In Broadcast - July/August 2011 - 21
In Broadcast - July/August 2011 - Outside Broadcasters Feel the Pinch
In Broadcast - July/August 2011 - 23
In Broadcast - July/August 2011 - 24
In Broadcast - July/August 2011 - 25
In Broadcast - July/August 2011 - 26
In Broadcast - July/August 2011 - 27
In Broadcast - July/August 2011 - 28
In Broadcast - July/August 2011 - 29
In Broadcast - July/August 2011 - 30
In Broadcast - July/August 2011 - 31
In Broadcast - July/August 2011 - Innovative Camera Supports - Beyond the Tripod
In Broadcast - July/August 2011 - 33
In Broadcast - July/August 2011 - 34
In Broadcast - July/August 2011 - 35
In Broadcast - July/August 2011 - 36
In Broadcast - July/August 2011 - 37
In Broadcast - July/August 2011 - IP-Based Remote Television Studio Control
In Broadcast - July/August 2011 - 39
In Broadcast - July/August 2011 - Trilogy's Gemini - Pioneering the Use of IP in Broadcast Intercom
In Broadcast - July/August 2011 - 41
In Broadcast - July/August 2011 - 42
In Broadcast - July/August 2011 - 43
In Broadcast - July/August 2011 - The Ears Have It: The Drive for Better Sounding Mobile Content
In Broadcast - July/August 2011 - 45
In Broadcast - July/August 2011 - IBC Sneak Peak
In Broadcast - July/August 2011 - 47
In Broadcast - July/August 2011 - 48
In Broadcast - July/August 2011 - 49
In Broadcast - July/August 2011 - 50
In Broadcast - July/August 2011 - 51
In Broadcast - July/August 2011 - 52
In Broadcast - July/August 2011 - 53
In Broadcast - July/August 2011 - 54
In Broadcast - July/August 2011 - 55
In Broadcast - July/August 2011 - Monitoring Systems For Today's Digital, Multiplatform Era
In Broadcast - July/August 2011 - 57
In Broadcast - July/August 2011 - 58
In Broadcast - July/August 2011 - 59
In Broadcast - July/August 2011 - New Developments in Broadcast Test and Measurement
In Broadcast - July/August 2011 - 61
In Broadcast - July/August 2011 - 62
In Broadcast - July/August 2011 - 63
In Broadcast - July/August 2011 - 64
In Broadcast - July/August 2011 - 65
In Broadcast - July/August 2011 - 66
In Broadcast - July/August 2011 - 67
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In Broadcast - July/August 2011 - 71
In Broadcast - July/August 2011 - 72
In Broadcast - July/August 2011 - 73
In Broadcast - July/August 2011 - 74
In Broadcast - July/August 2011 - Cover4
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