In Broadcast - July/August 2011 - 49


49

Review

FORscene Workflows For News
Simplifying news production
– enabling collaboration
FORscene is a hosted video platform with a set of cloud-based tools which are simple to learn and easy to use. It allows newsroom based producers to create placeholders in the running order or web collection to be filled by journalists on location. Journalists can combine newly acquired footage with previously shot or archive material in their stories. Editors and producers in the newsroom can collaborate in finishing the piece right up to the time that it goes to air. at full quality, saving both on upload time and bandwidth. FORscene uses this full quality source material for its conform.

FORscene’s wide-area review tools enable you to view material through a browser even whilst it is being uploaded to the platform. Secure logins can be used from any location to give immediate access and fast turn around for the news team. Review and commenting is also available through an HTML5 interface compatible with modern browsers and popular tablets.

at full resolution. Submitting an edit for publishing triggers the upload of the chosen full quality frames into FORscene allowing the finished file to be redirected into the final broadcast.

Access for reuse

Logging

Repurposing

FORscene’s built in logging tools allow searchable metadata to be added to video material from a central point or from several locations concurrently. The tools include a built-in spell checker and search engine allowing you to create a web-based archive of news footage for future reuse or to provide as a source for third party users.

Field Acquisition (ENG)

Editing

Video from a camera is transferred to a laptop running FORscene Load software which prepares and uploads an edit proxy to the cloud for editing. Once the piece is edited, those frames chosen as part of the edit are uploaded

FORscene’s editing tools are simple to use and easy to learn. Shots can be pieced together quickly and combined with titles, graphics and images provided by external applications. FORscene’s MOS enabled editing interface includes advanced features which allow the video content to fill placeholders and redirect across multiple delivery platforms.

FORscene’s web-based editing tools can provide 24/7 access to TV stations’ broadcast feeds. Editors can take stories from the feed and repurpose them, using other services to add graphs, titles, maps, etc. for distribution over a range of digital devices. FORscene Servers upload the broadcast feed to FORscene over the public Internet for immediate editing and later reuse. News capsules prepared from the feed can be hosted on third party content delivery networks for distribution through the stations’ websites, driving traffic to these sites.

FORscene’s frame accurate logging tools actively encourage the timely addition of relevant searchable metadata to news content being captured onto the platform. Logged archive material is immediately available for search and reuse by other stations within the group or third parties wishing to use the archive.

Availability

The FORscene platform has been in daily use since its launch in September 2004. The addition of MOS profiles and a MOS gateway to FORscene has opened up the world of cloud based tools to news workflows. Visit our stand (7.J15e) at IBC 2011 or our website www.forbidden.co.uk for further information.

Syndication

Access to breaking news and popular stories can be provided to other stations across a group. Once selected, stories can be downloaded

For a full version of this white paper please see: www.forbidden.co.uk/ solutions/news


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Table of Contents for the Digital Edition of In Broadcast - July/August 2011

In Broadcast - July/August 2011
Contents
Whats New in Our Global Village
iPad The Game Changer
Outside Broadcasters Feel the Pinch
Innovative Camera Supports - Beyond the Tripod
IP-Based Remote Television Studio Control
Trilogy's Gemini - Pioneering the Use of IP in Broadcast Intercom
The Ears Have It: The Drive for Better Sounding Mobile Content
IBC Sneak Peak
Monitoring Systems For Today's Digital, Multiplatform Era
New Developments in Broadcast Test and Measurement
In Broadcast - July/August 2011 - Intro
In Broadcast - July/August 2011 - In Broadcast - July/August 2011
In Broadcast - July/August 2011 - Cover2
In Broadcast - July/August 2011 - Contents
In Broadcast - July/August 2011 - Whats New in Our Global Village
In Broadcast - July/August 2011 - 5
In Broadcast - July/August 2011 - 6
In Broadcast - July/August 2011 - 7
In Broadcast - July/August 2011 - 8
In Broadcast - July/August 2011 - 9
In Broadcast - July/August 2011 - 10
In Broadcast - July/August 2011 - 11
In Broadcast - July/August 2011 - 12
In Broadcast - July/August 2011 - 13
In Broadcast - July/August 2011 - 14
In Broadcast - July/August 2011 - 15
In Broadcast - July/August 2011 - 16
In Broadcast - July/August 2011 - 17
In Broadcast - July/August 2011 - iPad The Game Changer
In Broadcast - July/August 2011 - 19
In Broadcast - July/August 2011 - 20
In Broadcast - July/August 2011 - 21
In Broadcast - July/August 2011 - Outside Broadcasters Feel the Pinch
In Broadcast - July/August 2011 - 23
In Broadcast - July/August 2011 - 24
In Broadcast - July/August 2011 - 25
In Broadcast - July/August 2011 - 26
In Broadcast - July/August 2011 - 27
In Broadcast - July/August 2011 - 28
In Broadcast - July/August 2011 - 29
In Broadcast - July/August 2011 - 30
In Broadcast - July/August 2011 - 31
In Broadcast - July/August 2011 - Innovative Camera Supports - Beyond the Tripod
In Broadcast - July/August 2011 - 33
In Broadcast - July/August 2011 - 34
In Broadcast - July/August 2011 - 35
In Broadcast - July/August 2011 - 36
In Broadcast - July/August 2011 - 37
In Broadcast - July/August 2011 - IP-Based Remote Television Studio Control
In Broadcast - July/August 2011 - 39
In Broadcast - July/August 2011 - Trilogy's Gemini - Pioneering the Use of IP in Broadcast Intercom
In Broadcast - July/August 2011 - 41
In Broadcast - July/August 2011 - 42
In Broadcast - July/August 2011 - 43
In Broadcast - July/August 2011 - The Ears Have It: The Drive for Better Sounding Mobile Content
In Broadcast - July/August 2011 - 45
In Broadcast - July/August 2011 - IBC Sneak Peak
In Broadcast - July/August 2011 - 47
In Broadcast - July/August 2011 - 48
In Broadcast - July/August 2011 - 49
In Broadcast - July/August 2011 - 50
In Broadcast - July/August 2011 - 51
In Broadcast - July/August 2011 - 52
In Broadcast - July/August 2011 - 53
In Broadcast - July/August 2011 - 54
In Broadcast - July/August 2011 - 55
In Broadcast - July/August 2011 - Monitoring Systems For Today's Digital, Multiplatform Era
In Broadcast - July/August 2011 - 57
In Broadcast - July/August 2011 - 58
In Broadcast - July/August 2011 - 59
In Broadcast - July/August 2011 - New Developments in Broadcast Test and Measurement
In Broadcast - July/August 2011 - 61
In Broadcast - July/August 2011 - 62
In Broadcast - July/August 2011 - 63
In Broadcast - July/August 2011 - 64
In Broadcast - July/August 2011 - 65
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In Broadcast - July/August 2011 - 74
In Broadcast - July/August 2011 - Cover4
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