In Broadcast - July/August 2011 - 4

4

IN THE NEWS
Vislink Acquires Gigawave
Vislink has acquired the entire issued share capital of Gigawave Limited for a cash consideration of £3.75 million. Based in Colchester, Essex, UK, Gigawave is privately owned by a number of individual shareholders and employs 87 people. Gigawave is a leading designer, manufacturer and supplier of wireless camera, microwave and antenna products for the broadcast market. Gigawave has a particular strength in “on-board” applications for motorsport events around the world. Gigawave will complement and broaden the Group’s capabilities in terms of engineering, product portfolio and geographic reach and will therefore strengthen the Group’s position in its broadcast market. Gigawave will be integrated into the Group’s UK operations so as to realise the benefits expected from improved global distribution of all the Vislink brands and operational efficiencies. Gigawave’s founder and existing Managing Director Henry Barczynski will serve the Group as Chief Marketing Officer reporting to Chairman and Chief Executive, John Hawkins. Commenting on the acquisition Vislink’s Chairman and Chief Executive John Hawkins said: “We are delighted to announce the acquisition of Gigawave, which will broaden our offering within the broadcast market. “The Gigawave business and its management are well known to us and we look forward to the Gigawave and Vislink teams working together, sharing product developments, distribution and sales opportunities.” For the financial year ended April 30, 2010, Gigawave generated audited sales of £12.53 million and a loss before tax of £0.97 million. As at April 30, 2010, Gigawave had audited gross assets of £5.32 million. For the year to April 30, 2011 Gigawave generated unaudited sales of £10.1 million, an unaudited loss before tax of £0.43 million and had unaudited gross assets of £4.87 million. Under the terms of the acquisition agreement, an initial consideration of £1.75 million was paid on completion on June 2, 2011. The Group also repaid shareholder loans of £400,000 on completion. Deferred consideration of £1million is payable on each of the first and second anniversary of completion. The initial consideration was paid in cash, financed out of the Group’s existing cash balances. Deferred consideration will also be paid in cash. The Board expects the acquisition to be earnings enhancing in its first full year.
Cintel’s Head of Research Terry Mead MBE

Cintel’s Mead Awarded MBE
Cintel’s long serving Head of Research, Terry Mead, has been awarded the Member Of The Order Of The British Empire in the 2011 Queen’s Birthday Honours List for services to the film scanning industry. Cintel are very proud of Terry and his contributions to the film scanning industry. Terry originally joined Rank Cintel (as it was) in 1964 and has been involved in the research and development of new products at Cintel since the late 1970’s having previously spent time in the Test, Service and Quality Assurance departments. Terry became Head of Research in 1994. Terry was key in the development of the Award-Winning URSA telecine which became the industry standard in the 1990’s and is still very widely used today. Terry is also responsible for much of the inspiration behind the C-Reality and DSX ‘data-cine’ machines as well as the diTTo film scanner. It is also important to note that some of his 14 US and 25 EU patents are used widely by other manufacturers in the industry and that, to date, he still has patents pending. Seen by many in the industry as a film scanning ‘guru’, Terry has an in depth understanding of all aspects of the technology involved, whether mechanical, optical, chemical or electronic and a unique ability to describe these technologies to anyone with any level of understanding. Terry said: “I am extremely proud and honoured to be awarded the MBE.”

PAY Studio Goes 4K And Stereo3D With Quantel
Leading Warsaw-based post house PAY Studio has upgraded its Pablo with 4K, Stereo3D and the Neo panel. The system has immediately been put into action finishing Poland’s first major 3D movie ‘Battle of Warsaw’. “Our Pablo system has been at the heart of our workflow for several years now, working principally on commercials, major TV series and movies for the Polish market,” said Monika Jakutowicz, PAY Studio colorist and 3D artist. “Upgrading the system to 4K and Stereo3D operation means that we can carry out the highest quality digital intermediates and colour correction for 2D movies. And it also enables us to break into the exciting new 3D movie business, as our work on Jerzy Hoffman’s ‘Battle of Warsaw’ illustrates - we did the entire colour correction and Stereo3D post on the Pablo, as well as the titles.” “We looked at other options for stereoscopic work, but there is nothing to match the Pablo’s comprehensive S3D workflow. It’s got all the colour and other finishing tools we need in one room, a brilliant interface in the Neo panel and a good Stereo3D toolset that Quantel continues to develop,” Jakutowicz continued. “We wouldn’t have been able to complete ‘Battle of Warsaw’ in the short timescale required without Pablo. The ability to grade the left and right eyes in parallel and the new stereo balancing and fixing tools were particularly useful.” “We have moved early into the Stereo3D market because we think it will continue to grow rapidly as a movie, and later, TV format; it’s just a matter of time, reducing the costs of S3D production and in the case of TV, waiting for consumers to make the next move to 3D-enabled TVs. Wherever the market moves, PAY Studio will be at the forefront, continuing to develop and exploit all the latest technologies,” Jakutowicz concluded.

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In Broadcast - July/August 2011

Table of Contents for the Digital Edition of In Broadcast - July/August 2011

In Broadcast - July/August 2011
Contents
Whats New in Our Global Village
iPad The Game Changer
Outside Broadcasters Feel the Pinch
Innovative Camera Supports - Beyond the Tripod
IP-Based Remote Television Studio Control
Trilogy's Gemini - Pioneering the Use of IP in Broadcast Intercom
The Ears Have It: The Drive for Better Sounding Mobile Content
IBC Sneak Peak
Monitoring Systems For Today's Digital, Multiplatform Era
New Developments in Broadcast Test and Measurement
In Broadcast - July/August 2011 - Intro
In Broadcast - July/August 2011 - In Broadcast - July/August 2011
In Broadcast - July/August 2011 - Cover2
In Broadcast - July/August 2011 - Contents
In Broadcast - July/August 2011 - Whats New in Our Global Village
In Broadcast - July/August 2011 - 5
In Broadcast - July/August 2011 - 6
In Broadcast - July/August 2011 - 7
In Broadcast - July/August 2011 - 8
In Broadcast - July/August 2011 - 9
In Broadcast - July/August 2011 - 10
In Broadcast - July/August 2011 - 11
In Broadcast - July/August 2011 - 12
In Broadcast - July/August 2011 - 13
In Broadcast - July/August 2011 - 14
In Broadcast - July/August 2011 - 15
In Broadcast - July/August 2011 - 16
In Broadcast - July/August 2011 - 17
In Broadcast - July/August 2011 - iPad The Game Changer
In Broadcast - July/August 2011 - 19
In Broadcast - July/August 2011 - 20
In Broadcast - July/August 2011 - 21
In Broadcast - July/August 2011 - Outside Broadcasters Feel the Pinch
In Broadcast - July/August 2011 - 23
In Broadcast - July/August 2011 - 24
In Broadcast - July/August 2011 - 25
In Broadcast - July/August 2011 - 26
In Broadcast - July/August 2011 - 27
In Broadcast - July/August 2011 - 28
In Broadcast - July/August 2011 - 29
In Broadcast - July/August 2011 - 30
In Broadcast - July/August 2011 - 31
In Broadcast - July/August 2011 - Innovative Camera Supports - Beyond the Tripod
In Broadcast - July/August 2011 - 33
In Broadcast - July/August 2011 - 34
In Broadcast - July/August 2011 - 35
In Broadcast - July/August 2011 - 36
In Broadcast - July/August 2011 - 37
In Broadcast - July/August 2011 - IP-Based Remote Television Studio Control
In Broadcast - July/August 2011 - 39
In Broadcast - July/August 2011 - Trilogy's Gemini - Pioneering the Use of IP in Broadcast Intercom
In Broadcast - July/August 2011 - 41
In Broadcast - July/August 2011 - 42
In Broadcast - July/August 2011 - 43
In Broadcast - July/August 2011 - The Ears Have It: The Drive for Better Sounding Mobile Content
In Broadcast - July/August 2011 - 45
In Broadcast - July/August 2011 - IBC Sneak Peak
In Broadcast - July/August 2011 - 47
In Broadcast - July/August 2011 - 48
In Broadcast - July/August 2011 - 49
In Broadcast - July/August 2011 - 50
In Broadcast - July/August 2011 - 51
In Broadcast - July/August 2011 - 52
In Broadcast - July/August 2011 - 53
In Broadcast - July/August 2011 - 54
In Broadcast - July/August 2011 - 55
In Broadcast - July/August 2011 - Monitoring Systems For Today's Digital, Multiplatform Era
In Broadcast - July/August 2011 - 57
In Broadcast - July/August 2011 - 58
In Broadcast - July/August 2011 - 59
In Broadcast - July/August 2011 - New Developments in Broadcast Test and Measurement
In Broadcast - July/August 2011 - 61
In Broadcast - July/August 2011 - 62
In Broadcast - July/August 2011 - 63
In Broadcast - July/August 2011 - 64
In Broadcast - July/August 2011 - 65
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In Broadcast - July/August 2011 - Cover4
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