BCA Show Daily - Day 1 - 36

SUNTEC SINGAPORE

A part of

MARINA BAY SANDS * SUNTEC SINGAPORE

Show Daily | Tuesday 26 June 2018

ZEISS Supreme Prime Lenses
ZEISS is showcasing its new high-end cinema lens
family, ZEISS Supreme Primes, at booth 6G2-04...

or the first time in South-East Asia, ZEISS is
presenting its new Supreme Prime family.
Consisting of 13 lenses with fixed focal lengths
between 15 and 200 millimetres, of which the
majority has a maximum aperture of T11.5,
the ZEISS Supreme Primes are designed to
cover cinematic large format camera sensors,
making them the ideal choice for current and
future camera systems. They are compatible
with all of the latest camera models, such as
the Sony VENICE, ARRI ALEXA LF, and RED
MONSTRO.
With the ZEISS Supreme Primes, ZEISS is
responding to many camera operators' desire

The 25mm lens will be available this year

for compact equipment
that meets the highest
standards of quality.
Weighing
an
average of 1,600g
with a consistent front
diameter of 95mm
on almost all the
focal lengths, the ZEISS
Supreme Prime lenses are
significantly more compact and lightweight
than comparable lenses on the market.
Even at T1.5, the ZEISS Supreme
Primes demonstrate their unsurpassed
craftsmanship
in
tricky
low-light
environments. They give the creator absolute
control by revealing subtly nuanced details in
deep shadows and bright highlights. A very
smooth transition between in-focus and out
of focus areas characterise the unique look
of the ZEISS Supreme Prime lenses. This
adds richer texture and greater depth to the
image.
The lenses are developed for modern digital
cinematography with cutting-edge optics and
key enhancements to aid the HDR process.

They maintain dynamic range and micro
contrast levels fine-tuned to bring out details
in the shadows and the mids.
Equipped with the unique ZEISS eXtended
Data metadata technology that was
introduced last year, the ZEISS Supreme
Prime lenses are able to provide frame-byframe data on lens vignetting and distortion,
in addition to the standard lens metadata
provided using Cooke's /i technology
protocol. This greatly speeds up the entire
film production's workflow. Besides, the
ZEISS eXtended Data technology is planned
to be expanded in future to offer additional
features with firmware upgrades. Along
with the easy-to-operate interchangeable
mount system that enables a quick change

Digigram Assists with AoIP

The ZEISS Supreme Prime family

from PL-mount to LPL-mount or EF-mount,
the new ZEISS Supreme Prime lenses offer
tremendous flexibility and is a future-proof
investment in today's rapidly changing
camera market.
The focal lengths of 25, 29, 35, 50, and
85 millimetres of the ZEISS Supreme Prime
lenses will first be available in August 2018.
The ZEISS Supreme Prime 100 millimetre is
expected to be available in December 2018.
The set of six lenses, consisting of the focal
lengths mentioned above, will be available
from selected ZEISS Cinema lens dealers,
with the remaining focal lengths to be
released successively until 2020.
www.zeiss.com

transmitters, web radio CDNs, and DVB
multiplexers, in various formats and quality;
and transcoding of IP audio streams. In
addition, the audio I/Os can be analogue,
Audio over IP is nowadays widely used for streaming audio content out of the radio facilities... AES/EBU, AES67, RAVENNA, or Livewire,
and can be processed at the same time as
ypically, when it comes to applications
stereo and mono; there is support of
infrastructure from legacy
such as live outside broadcasting,
VLANs and QoS; and an intuitive web
(analogue, AES/EBU, MADI) to
STL, SSL, DVB audio, and web radio. By
GUI, monitoring/configuring/alarming
audio over IP.
offering audio codecs specifically designed
via SNMP.
The new IQOYA X/LINK range
to transport IP audio programmes over IP
The range is composed of the
facilitates the migration to endnetworks, Digigram has contributed to the fast
following units: IQOYA X/LINK
to-end IP audio infrastructures.
adoption of IP networks in radio broadcasting
stereo codec with front panel LCD
It offers products based on
and has sold more than 10,000 IQOYA codecs
display and keypad, vu-meters and
a new powerful and low
worldwide.
headphones, supporting analogue,
consumption
dedicated
Thanks to the AES67 standard, designed
AES/EBU and RAVENNA/AES67;
hardware platform, which
to allow interoperability between various IPIQOYA X/LINK-LE stereo codec with
directly inherits from the
Codecs
transport
IP
audio
programmes
over
IP
networks
based audio networking systems, more and
vu-meters and headphones; IQOYA
technologies used on the acclaimed IQOYA
more radios now move their in-house audio
X/LINK-Dual is a dual stereo (four mono
*SERV/LINK (the 1U rack multichannel codec
able to support up to 64 stereo channels),
channels) codec with front panel LCD display
and IQOYA *LINK (stereo IP audio codec).
and keypad, vu-meters and headphones; and
The main standard features of the X/
IQOYA X/LINK-AES67 is a stereo to multiLINK range are four network ports for
stereo codec dedicated to AES67/RAVENNA
full separation of IP audio traffic (AES67/
connectivity, and which the number of
RAVENNA/Livewire, dual streaming on WAN,
supported I/Os can be increased through
and control); two redundant power supply
software licences to up to eight stereo
units; Digigram Fluid IP technology (the first IP
channels.
audio streaming engine to offer the redundant
Other flavours of products will follow,
dual streaming over two separate network
dedicated to Dante connectivity, and to MPX
links); multiformat encoding and multiprotocol
transport. Visit us on Stand: 4H2-05.
streaming of an audio source (RTP, MPEGwww.digigram.com
TS, Icecast/Shoutcast), allowing to deliver
the audio programme simultaneously to FM
IQOYA X/LINK range facilitates the migration to end-to-end IP audio infrastructures

http://www.zeiss.com http://www.digigram.com

Table of Contents for the Digital Edition of BCA Show Daily - Day 1